Translation of "Einstellung film" in English

Why do you begin the film with this shot?

And so David had an interesting take on the film, and he threw a challenge at us.

This central shot in the film is a fragile balancing act between documentary observation and subtle direction.

With a single shot, the film travels through different eras and creates a magical atmosphere.

On the website every single shot from Vertov's film is available as video clip.

When the technological basis improved considerable she changed her attitude to the film and saw the possibility to make the art accessible to the audience in an easy way.

Threading throughout the film, there is the shot showing Amadou Dicko and Hamadoun Dicko on the backseat of the car, observing the countryside and commenting them in their language.

Consisting of a single shot, the film shows a blue frame with a musical soundtrack and a voice-over by the artist himself.

The castle of Saint-Ame, which was the setting for the film The gendarme ride, can also be admired from afar.

The prologue was a re-enactment of a shot from Pasolini’s film “Salò”: a couple facing each other touch, a pose whose compulsion and brutality in the film original was no longer visible, with the scene context left out in Prinz Gholam’s tableau vivant.

The long take marks the film itself as film without coming up with something like subjectivity.

The prologue was a re-enactment of a shot from Pasolini's film "Salò": a couple facing each other touch, a pose whose compulsion and brutality in the film original was no longer visible, with the scene context left out in Prinz Gholam's tableau vivant.

By using the film settings files get up to 1/3 smaller with the same Q factor, but this happens at the expense of quality.

The film collects patterns and textures in calm, cleverly selected shots.

During this time, he painted storyboards of every shot in the film, later published with the screenplay and available as an extra on the Criterion Collection DVD release of the film, and continued searching for funding.

The final aerial shot is of modern day Salisbury with a CGI cathedral combining elements of Salisbury Cathedral and Wells Cathedral, to represent the complete fictional Kingsbridge Cathedral, which were the two cathedrals which inspired Follett, during the writing of the novel.

And then you see the Death Star again and then it blows up the planet, and then, the final shot of the movie, which reveals what complete triumph this was for the rebels, is a still showing an article on the lower left of page 43 of the New Empire Times that devotes a full 3 sentences to the destruction of the planet.

The village was built especially as the setting of the movie and since there are no trees on Malta, all materials were imported from Canada.

And although the film's first shots might seem like photographs, it soon becomes clear that film is the explicit medium here and that sounds actually lead the viewer throughout the film and its rooms subtly and profoundly.

He experiments with different camera angles, yet gives his film mostly tranquil pictures, which give the story the necessary framework to unfold its heart.