Translation of "Stilistische mittel" in English

Drawing is the stylistic key to his pictures.

On the one hand, they tap into Georgian narrative traditions – one recognises stylistic means that filmmakers like Otar Iosseliani and Abuladse used.

At 17.30 we are screening seven films that deliberately forego editing as a stylistic means and recount their stories in a single camera shot.

Because over and above this, it is, of course, also a critique of the suprematism of Kazimir Malevich, under whose influence Lissitzky initially stood and whose stylistic means he transformed, after a brief examination of Jewish folk art, into a politically left-wing graphic language.

Excerpts from Fassbinder’s films, shown as a compilation on three large screens, introduce the most important themes in his œuvre and also highlight the stylistic resources, such as lighting, framing and direction of gaze, that characterise his films.

Despite the classic trademarks ORTEGA do not do it with this all-destroying brutality and killing emotions. ORTEGA are rather unagitated, focusing on quieter parts, instrumentals and stylistic means such as the sound of a rushing sea (Into The Waves) as wrell as clean and undistorted guitar tunes.

Kim’s project in the KUB Arena begins with the sound piece, howl bowel owl. Created, during his recent sabbatical, as a radio drama for the Bayerischer Rundfunk, in collaboration with musician David Michael DiGregorio aka dogr, Kim’s atmospheric audio narrative employs stylistic devices of imitation, repetition, and rhythm, inspired in part by the works of poet Rainer Maria Rilke.

Instead of raising the movie's tension with this stylistic device the cinematic flow is disrupted.

Is that a stylistic mean you would like to try out one day?

The stylistic means employed were simple, direct language, which laconically described but did not evaluate the destroyed world, and a restriction, usual for short stories, of the space, narrated time, and characters.

Able to speak at length with relative ease on familiar topics, but may not vary speech flow as a stylistic device.

For environments with strict symmetry, for example cities, I would like the curving in the picture to be less extreme, but this effect could be incorporated into the photography as a stylistic device.

The process to work with colorful highlights out of the darkness is a stylistic means to express the brightness and power, the liveliness and the mystery that lay in the wonders of nature.

Nevertheless the use of stylistic means plays a central role, especially the (brush) mark and the question of the "right" form: they are relevant for the development of a content-oriented attitude remaining in a state of formal doubt.

In so doing, she uses the (stylistic) means of social critique, conventions of documentary film, and the aesthetics of popular culture.

TV text analysis method is used to capture particular stylistic means that are designed to affect viewers sensually and physically.

With their paintings, these artists explored the fleeting effects of nature and how to represent city transformations at the start of the 20th Century, employing stylistic devices and innovative practices such as fracturing and faceting the picture plane.

Even the progressive note Vorunah offered in one or the other track completely disappeared without being replaced by any other musical mean.

Though, this fourth record sounds very familiar. All the well-known stylistic means and traits that made Lights Out and Planetary Confinement so captivating and soul-touching are to find on Leaving Eden as well: unobtrusive sound samples, hauntingly beautiful violins, acoustic guitar parts, piano tunes and string arrangements, uniting and finding its climax in the mesmerizing instrumental The Immaculate Misconception .

This is due to two main factors: the models chosen by the artist and his stylistic means.

References to Portishead are still there but their influences and stylistic means in general are not that cumbersome anymore.

Just as with older rolls of film where color changes became a stylistic means, in recent years Dieter Rehm has developed an extensive repertoire of colorful shifts.

But this category receives relatively little attention. In these works Krebs used all available stylistic means and enriched the music with theological dimensions.

Nevertheless the use of stylistic means plays a central role, especially the (brush) mark and the question of the “right” form: they are relevant for the development of a content-oriented attitude remaining in a state of formal doubt.