Übersetzung für "Linear perspective" in Deutsch

Gradation Gradation of size and direction produce linear perspective.

There is no linear geometric perspective.

Another technique is Western linear perspective.

As an artist, he discovered the principles of linear perspective, which gives the illusion of 3-dimensional space, to 2-dimensional art.

Taylor also devised the basic principles of perspective in Linear Perspective (1715).

It has been suggested that the pictorial representation of carpets is linked to the development of the linear perspective, which was first described by Leon Battista Alberti in 1435.

While the technical principles of the camera obscura have been known since antiquity, the broad use of the technical concept in producing images with a linear perspective in paintings, maps, theatre setups and architectural and later photographic images and movies started in the Western Renaissance and the scientific revolution.

Donatello also developed a new way of sculpting in shallow relief, that applied the rules of linear perspective to create a greater illustion of depth.

In Italy, painter and architect Brunelleschi discovered linear perspective and thus opened up the possibility of portraying space on the two-dimensional surface.

This is the ingenious part of Laurie Anderson's creation: when talking about the future she already refers to it as the past, eschewing a linear perspective in favor of a world where "one thing instantly replaces another," in no particular order.

That’s the reason we can suppose also that the projected lens and mirror-based image provided the basis for discovering the linear-geometric perspective with one vanishing point by Leon Battista Alberti and Filippo Brunelleschi (who planned and constructed the cupola of the Florentine dome), one more milestone of Renaissance.

The function of linear perspective in Cubism and later in Constructivism resulted both in painting and in plastic art to disjointed objects or objects with edges.

This tradition reached its climax in the period of the Renaissance when the development of the concept of linear perspective first made it possible to produce the three-dimensional expansion of a body in space correctly proportioned on a flat picture surface.

While the Pavillon de chasse (1998) actually filled the entrance hall of the Casino Luxembourg throughout the exhibition and operated like a real trap for the viewers, the Pavillons pour Saint-Nazaire were the outcome of the application of the rules of linear perspective, which have established that an object in the foreground is larger than objects in the background.

This painting is one of a closely related group painted in the early to mid 1660s where the artist appears to be moving away from an emphasis on linear perspective and geometric order.

So also his Linear Perspective of already 1715, setting forth the principles of art more original and general than ever before, received general acknowledgement only by Kirby’s treatises.

Prior to the study I assumed that they were largely geared to a linear time perspective.

Objects located on a small hill, are in an advantageous position thanks to the law of linear perspective.

In this sense, photography imbues the linear perspective and the mode of seeing associated with it with a mechanical basis.

She challenges the relationship between visual perception and intellectual orientation, and in her work – which encompasses painting, sculpture, film and collage – she defiantly challenges linear perspective to redress what fellow African-American artist Theaster Gates has called ‘the African non-archive’.

It is this, the linear-molar perspective of revolution, which orders the various components of the revolutionary machine along a timeline, making a period of resistance lead to the climax of a more or less violent uprising, which quasi naturally ends with the takeover of the state apparatus.

In other words, although from your linear perspective the Higher Self is a distant probable future, ultimately this future perfected self exists right now alongside you.

So also his Linear Perspective of already 1715, setting forth the principles of art more originally and generally than ever before, received general acknowledgement only thanks to Kirby’s treatises of 1754 above and “The Perspective of Architecture” – for which Hogarth designed the frontispiece as well – following in 1761.

Hiroshige, who himself confronted the principles of Western linear perspective in his work, thus became a dual protagonist in the artistic dialogue between Japan and Europe of the late 19th century.