Translation of "Lyrisches ich" in English

His lyrical poem "I Will Return There..." is closely related to Kunštát.

Like radar, her poetic ego scans all facets of life’s reality and the world of things in order to transform the ostensibly profane into poetically embellished images: “A spit-out cherry stone contains for me an entire cosmos of coming and going,” the author writes in her own short epilogue to So dunkel, so hell (2007).

The breakthrough finally came for Haugová with the book of poems 'Èisté dni' (1990, Engl: Pure Days), in which a female first-person narrator expresses herself in an uncompromising way; at the time such a stance was still unheard of in Slovakia.

Who is this Grandmaster ABSCON, is it a real person or is it rather your lyric persona?

Instead, the use of the "first person," for many contemporary positions, doesn't just refer to an "I" that subjectivizes and thereby legitimates what is being said (as has been established primarily in feminist writing approaches); nor does it necessarily refer to a "lyrical self" that is dissolved in metaphor.

The breakthrough finally came for Haugová with the book of poems 'Èisté dni' (1990, Engl: Pure Days), in which a female first-person narrator expresses herself in an uncompromising way; at the time such a stance was still unheard of in Slovakia.

Here, her poetic self has no fear of contact: a half-eaten popsicle clumps on a stocking seam, deep-frozen cabbage rolls sprout tiny breasts, emptiness cuts the skin "like a dull knife," a four-leaf clover grows out of tiny bird droppings.

Here, her poetic self has no fear of contact: a half-eaten popsicle clumps on a stocking seam, deep-frozen cabbage rolls sprout tiny breasts, emptiness cuts the skin “like a dull knife,” a four-leaf clover grows out of tiny bird droppings.

The lyrical narrator sees his mother and her madness as located between the two spheres.

Or, vice versa – are you the Grandmaster's lyric persona?

That is the space I would like to occupy.

The 'narrator' is travelling with his loved one in the car and is all over her.

Hate and love in a transcendental world, expressed lyrically – that’s more emotional for me!

The song "A Sovereign Fortress" dealt with, for example, the acknowledgments of God who protects and supports the lyrical I since birth.

The song "A Sovereign Fortress" dealt with, for example, the acknowledgments of God who protects and supports the lyrical I since birth.

Clapton wonders whether or not his son would recognize him in heaven ("Would you know my name if I saw you in heaven?

In Füst's poetry, he writes, "the poetic ego forms part of the poetics, rather than the theme of the poem, and this is why the variable factor is the attribute of the poetic ego as against the permanence of the experience of existence.

Even though the lyrical I hoped to have overcome the loss of a significant person, despair takes over once again right at the beginning of REKOVALESZENZ (convalescence), more flamingly as before, slowly yielding a sane resignation.

The act of writing poetry from the starting point of the perception of the senses – which emerge here as a new subject – also offers the lyrical narrator space for reflection.

In the poem the lyrical "I" – in accordance with the title – describes an old Greek urn, whilst on the meta-level the relationship between art and the reception of art is questioned.

The poetic ego is a product of the idiom of the poem, its characteristics depending on the nature of poem’s grammatical status and linguistic make-up.”

While Dharker's lyrical narrator in »Purdah« (1989), her first volume of poetry, which addresses the veiling of Muslim women, still asks how she might get home, later works recognize that people sometimes find their home in the moment of a journey, not upon reaching a destination.