Übersetzung für "Den filmischen" in Englisch

Rather, I let the cinematic atmospheres guide me.

The 20s marked the height of her cinematical career.

The 40s marked the height of his film career.

This event forms the background for this cinematic fiction.

In doing so she goes beyond the horizon of the filmic original.

Like others, she also used Finnish director Aki Kaurismäki as a reference to describe Hamer's particular cinematic style.

In this way, Scheffner performs a cinematic revision of the case and the medium simultaneously.

What rituals and routines of material and immaterial reproduction are processed in the spaces of experience and meaning created by the films?

I love its modern cinematic touch. The deep meaning of the lyrics really touches my soul.

In the following years he created the film portraits "Nachruf auf eine Bestie" (1983) concerning the child murderer Jürgen Bartsch and "Der Indianer" (1987) about a man with laryngeal cancer.

For all their subliminal paid promotions and subtle product placements, corporations are getting drubbed in the main story lines of our popular culture.

When her husband, Obsian, became deeply involved in researching the filmic origins of the VUE, Gaspara grew unsympathetic and began to share a great deal of time with the archivist, Algaris Bardin.

Agatha Christie had never been very happy with most filmed adaptations of her works, and according to her grandson Mathew Pritchard, who handled her estate after her death, she "did not care much for television", either.

There is no need to oppose the written and the video approach, but to find out where they are complementary and make them into a "third approach" which attempts to go further than a simple juxtaposition of the two current methods.

Theoretical and methodical models, able to describe the interaction with cinematic images as a process of generating meaning and the production of effects of subjectivity.

Rosa Barba ’s (Cologne/Amsterdam) cinematic works describe the moment before the vital action, an intermediate situation where meaning dissolves for an instant, leaving an impression of incompleteness.

Our idea of developing new projects for up-and-coming film-makers has been received with great enthusiasm by PREMIERE WORLD.

Lucas was deeply influenced by the Filmic Expression course taught at the school by filmmaker Lester Novros which concentrated on the non-narrative elements of Film Form like color, light, movement, space, and time.

The question of "tableaux vivants" in film focuses on a system of pictorial communication regarded as ‘secondary’; it draws on codes of meaning set outside the filmic system.

If you desire a change of pace from the usually cinematic blockbusters, then check out Scott Cooper's, Out of the Furnace.

The main emphasis of Selling Democracy III – Friendly Persuasion is to present cinematic reflections of the radical changes affecting daily life – in this context the keywords are rapid modernisation and mechanisation.

The presence of the protagonists in the two silent film "sketches" is felt only by virtue of the presentation of a potentially infinite collection in one and traces of carefree pursuits in the other, respectively.

Next, students watch scenes from the Franco Zeffirelli and Baz Luhrmann movie adaptations of the play from iTunes.

Whether you are hiking on the same paths you’ve seen in the Mafia films, planning a city trip to Palermo or Catania, admiring the fascinating historical evidence of the Greeks, Romans, Arabs, Normans and Spaniards or enjoying a relaxed holiday at one of the many beaches - Sicily knows hows to entice its visitors.

Since 1946 the work in cinema has been joined by social theatre following a string of successes, also heightened by the presence of major show business personalities who have chosen to work at the theatre in Conegliano.

It was the Polish director Andrzej Wajda whose LES POSSÉDÉS put an end to the neglection of the ideological difficulty in film adaptations of Dostojevskij's writings and who dared to take on "The Possessed".

The idea here is that of the agent provocateur, a silent form that provocatively involves the artist, the spectator, and the people and situations contained in the film in the confrontation with results of the cinematic experiment.