Übersetzung für "Concrete music" in Deutsch

Can concrete and music have something in common?

His works mainly consist of concrete electronic music, installations, the occasional photograph or video.

Experience the world of new music which tells unique stories in sounds, which makes that fine weaving one can experience in music concrete in a modern form, and which makes unknown sounds audible without needing a specialized orchestra!

Goisern, who travelled again and again for months at a time through Tibet and Africa, in order to discover as yet unknown sides of music for himself and in himself, to develop fusions, to experiment, still wants to play everything else which is kept under a glass cover and "encased in concrete" as folk music.

Similar to concrete music, which opened up music to sound, the concrete choreography of relations attempts to amplify the practice of choreography to non-human dynamics and relations between things, artefacts and objects.

In his list of formative influences, he cites music concrete, Miles Davis, Morton Feldman and Mark Rothko.

This kind of approach reflects different historical and contemporary positions of artistic techno-consciousness: the avant-garde author–producer who politicizes the way of usage of the means of production, the treatment of the studio as a meta-instrument in experimental (concrete, electronic) music, mimeographic 'samizdat' punk-graphics and, of course, the desktop home producer of the digital age.

You can hear in streaming over sixty works from every latitude: music, documentaries, audio landscapes and maps, electro-acoustic compositions, concrete music, hörspiele, sound poetry and much more.

This work is a fragment of concrete music whose original materials were composed of sounds of tissue paper, the sound of clocks, drops of water and various percussion instruments that were recorded with the help of the percussionist Kyungsoo Kim.

He describes having listened to Miles Davis ‘for hours and hours’ every day when he was 13 years old, includes Pierre Henry’s ‘music concrete’ in his list of formative musics and describes the encouragement offered to him as a young cornet player by Wynton Marsalis, who pointed him in the right direction by suggesting that he acquire a copy of Ornette Coleman’s ‘The Shape of Jazz To Come’.

With this concert, Marchetti and Noetinger want to present another aspect of their artistic work, namely pieces of "fixed" sounds, of "concrete" music.

Quite a series of composers and artists is now concerned with making music concrete - not as implied by the 'Musique Concrète' of Pierre Schaeffer - but as the attempt to relate sounds and their time structure to the acoustic properties of a certain site.

Under the direction of Le Corbusier, Iannis Xenaki's concept and geometry designed the World's Fair exhibition space adhering to mathematical functions. Edgard Varèse composed the both concrete and vocal music which enhanced dynamic, light and image projections conceived by Le Corbusier.

The result is probably the first swiss rap album for the street which deserves this name – or in the words of Figgdy "concrete-music".

The result is probably the first swiss rap album for the street which deserves this name – or in the words of Figgdy „concrete-music“.

Antonio’s belief in concrete and emotional music prevails, as a statement against the aesthetic crisis which is affecting many of today’s music productions.

Equally important is Wiggli's musical work: his compositions, descended from Concrete Music, are based on distorted acoustic sounds and noises and have been presented at international festivals of contemporary music.

Turntable was one of the important tools, but also tape recorders, radios, handmade oscillators and amps. I used all kinds of cheap electronics as musical instrument when I was a teen in the 70’s. Of course I got a strong influence from Christian Marclay and the Music Concrete by the French and Japanese composers when I developed my turntable techniques.

"Weekend" as a sound montage, conceived for a recording medium and for radio transmission, opened new venues and anticipated the aesthetics of movements such as Concrete Music and of artists such as John Cage and Karlheinz Stockhausen. If Ruttman defined his abstract films as "optical music", one would not hesitate to describe "Weekend" as the first "acoustic film" created for radio.

The first one that happens to fall into my lap contains the precious voice of Sacha Guitry (...) So I grab the record, slip the extremely peaceful rhythm of a tow barge onto a second turntable and whatever else is at hand on two further turntables: American accordion music and a Balinese record." This is how Pierre Schaeffer describes the genesis of his first noise studies in 1948, which heralded the birth of Concrete Music and hence that of electronic music.

Because of their directionality basses sound much more concrete and musical especially in venues with a lot of reverb.

Finally, we also learn by creating anew (new for us), by constructing, by changing the world around us, by producing concrete works (texts, musical compositions, objects, buildings, plays, films, etc.) — often on the basis of a personal idea, an individual or group project.

In my piece Tema, written to the 150-annual celebration of the Akademie für Tonkunst Darmstadt (by chance founded in immediate temporal neighborhood, namely in 1852), I wanted to develop a psychogram, plasticly, concretely, quasi realistically, music about music, in the knowledge, that music can only represent if it refers to other.

This confrontation between the ‘abstract’ structural principles of art music and the ‘concrete’ experience of musical form unites the opposites of excess and pragmatism in his distinctive style.”