Übersetzung für "Auf der tonspur" in Englisch

These particulars can for example be stored on the sound track of the video cassette.

They became, so to speak, a pianist who navigated the soundtrack, and did their own.

Superimposing his own pictures over postcard reproductions, he improvises the resultant sound of friction on the soundtrack.

European DVD editions (in case of Season One: only the 16:9 re-issue) contain these altered versions as foreign language dubs as well as the original unaltered English soundtrack in Dolby Digital 5.1.

If only one soundtrack (mono-reproduction) is used for picture sequences, audio signals for still pictures may be stored on the second soundtrack.

If only one sound track (mono-reproduction) is used for the video sequences the audio signals for still pictures can be stored on the second sound track.

In the embodiment shown in FIGS. 4 and 5, a controlled release of different scents is thus obtained according to the amplitude of the light control signals recorded on the sound track 68.

It is only important that the signals representative of the speed of the vehicle are stored on the soundtrack of the recording medium in synchronism with the optical recording.

The signals received by the speed sensor are modulated in a modulator in accordance with the recording frequency of the soundtrack of the video camera and fed to the audio input of the latter, as a result of which storage on the soundtrack in synchronism with the optical storage of the traffic scene on the video tape is achieved.

Tones and sounds should exist in their own right. For Weekend they were recorded as arbitrary and intentional elements on the soundtrack of an optical sound film using the so-called tri ergon technique.

The soundtrack features music by Johnny Cash and Leonard Cohen as Herzog’s mentor, film historian Lotte Eisner reads from a Guatemalan creation myth.

The soundtrack blends together poetry, recitations, and experimental music into a polyphonic swan song to colonial violence.

On the soundtrack, he combines dynamic field recordings with music by Éric La Casa, Jean-Luc Guionnet and Alasdair Roberts.

When replaying the film via a film replay device, such as a film projector, for example, the sound signal contained on the soundtrack 114 is received by the means 140 for receiving and edited for the means 160 for comparing, sampled, for example, with a given sample rate and passed on as section of a given length or a given number of sample rates, respectively.

In Finding an Edge, she filmed a densely grown meadow: the wind blows through the stalks of grass while the soundtrack records the coincidental sounds of the day.

In close-ups and extreme close-ups of the birds, Braun draws attention to the astonishing variation of plumage and materiality, while the sensitively arranged soundtrack mixes the noise of ordinary urbanity with the delicate sounds of feathers ruffling in the wind.

The audio track tells viewers, for example, of Ahmad, who fled Afghanistan, and his fervent attempts to obtain legal status in Istanbul; young Musa, longing to return to the Sudan; and Anya, an Iraqi woman, whose dream of obtaining a visa for Australia becomes a reality after twelve years.

By combining fragments of texts on the soundtrack with the empty and partially-black film screen, a moment both abstract/self-reflective and extremely concrete is introduced into the dark space.

In the vernacular production, it indeed seems that sound has driven out music, and that, in the soundtrack itself, dialogue has supplanted the other elements of narration.

And: Delighted moans in the soundtrack wouldn't have caused any more harm to the aesthetic whole than all those undreamily donned condoms.

On the soundtrack Edward Said expresses his outrage at the Oslo Peace Accord which was settled by this handshake. “I remember the handshake very clearly.

The ultra low bass give a fascinating live impression - provided they are really on the recording.

The plot is based on five people: a man, a woman, a girl (who only appear on the audio track spoken by Vito Acconci and Amy Taubin), the patient of a psychoanalyst and the analyst (alternatively performed by a man, a woman and a nine-year old boy).

Qadiri underlays the previously unpublished shots by an amateur filmmaker with a soundtrack of Islamic poetry, the way such literature was presented in TV broadcasts at the time.

Like countless YouTube amateur wildlife filmmakers, the camera tries time and again to capture the dead yet lively being, by day and by night, complete with loud camera zoom noises on the soundtrack, as well as the creaking and rasping noises of the apartment.

The soundtrack blends together poetry, recitations, and experimental music into a polyphonic swan song to colonial violence.