Übersetzung für "Medium shot" in Deutsch

A cut to a medium long shot marks a new change in the staging.

The camera almost imperceptibly moves away, and what began as a medium shot at the drums has, minutes later, expanded to become a long shot of the house.

And maybe thats why the next frame leaves Jeanne Balibar in a half-dark medium shot, in which only the silhouettes of the musicians can be seen.

A strange point of view connects the close-up of the Sergeant and the medium close shot of Feingold, as the latter first seems to crawl tiredly parallel to the group—in the middle of the battlefield and framed by dark trees as by a funeral wreath.

First there is a cut to a medium long shot of Feingold, sitting in an indeterminate space on a rock above a pond.

How he avoids dynamism and spectacle. How he evens out the balance of image details. How he deliberately chooses the medium shot to reduce things, but also to focus on parts of the whole and disclose their own, inner composition.

Beautiful pictures in great quality are combined with appropriate and nice music, the motifs are a good mix of different views, such as long shot, medium shot, and close-ups, and the camera work is quiet.

Bolts, Beams, Lances, Haloes: Single-shot medium-range weapons, they differ from each other only in special effects.

The first shot and reverse shot introduces the composition principle that unfolds in the following shots with a filmic gesture of pointing: A medium close shot shows Todd, whose act of washing himself is emphasized by its length, a duration that becomes the basis for the gestural potential of his gaze, which suddenly remains rooted to a point off-screen.

An image of tense proximity is developed through the interplay of shot composition and editing.In a protracted medium long shot first the group of soldiers is portrayed in the image's depth of field.

The temporal dimension of this movement is created in the interplay of a monotonous, repeated, rising string melody and a prolonged medium long shot that varies tracking speeds and changes directions as it follows Sergeant Dane walking through the different stations of the space of action.

The camera almost imperceptibly moves away, and what began as a medium shot at the drums has, minutes later, expanded to become a long shot of the house. In this long shot, the drum kit and Blake – the initial composition, then – are framed in a window, a picture within a picture. In a certain way, this frame within a frame makes the viewer aware of the long shot that has developed, and shows the camera as an instrument of the framing, of omission, of the incomplete. The window frame, though, points at the same time to what is off-camera in the long shot.

Using a fixed camera for the long shots, a dolly camera for the medium long shots, and a handheld camera for the close-ups, the artist and the entertainer were filmed before the eyes of the audience discussing Jankowski's video works, which were projected from the oven onto the wall of the exhibition space.

In addition, medium shots from various angles (front, back, diagonal, side, bottom, top, inside).

For this purpose, Jankowski’s own kitchen was brought from its home environment to Neuer Berliner Kunstverein. Using a fixed camera for the long shots, a dolly camera for the medium long shots, and a handheld camera for the close-ups, the artist and the entertainer were filmed before the eyes of the audience discussing Jankowski’s video works, which were projected from the oven onto the wall of the exhibition space. To conform with the alfredissimo! format, Jankowski and Biolek cooked a dish with Hungarian sausages.

The narrative structure and visual language of the Harappa Files is as heterogeneous as its themes: some of the episodes develop in an almost cinematic manner in a sequence of medium-shots and close-ups, while others make do with only two images.

The narrative structure and visual language of theHarappa Files is as heterogeneous as its themes: some of the episodes develop in an almost cinematic manner in a sequence of medium-shots and close-ups, while others make do with only two images.

This lens was constructed for macro functionality; however, it also makes an excellent figure with medium-tele shots and shines with its extremely sharp, high contrast and high brilliant results. This lens stands in the tradition of the legendary 90 mm 1:1 macro.Apart from the long focal length the lens also offers a big working distance, which is often required for capturing images of small creatures.