Übersetzung für "Altaian" in Deutsch

This sound is related to the Altaian karkyra and the Tuvan kargyraa.

At this time, the Altai with the Altaian "Teleuts and Schor" was part of this Dzungar-Oirat alliance.

The Rouran ruled in the area of today's Mongolia as well, and they are believed to be of Altaian origin, too.

The language are often associated in their genetic connex with the Mongolian and Turkic languages into the Altaian language family.

For this reason, the Khakas, as opposed to the Tuvin, Altaian and Mongolian people, did not sing songs when travelling or riding the horse across the steppes.

Khai (or kai, as it is called among the Altaian and Shor people) is the traditional form of overtone singing from the north-western Sayan-Altai region, with only the highest and lowest vocal registers being used.

The Rouran ruled in the area of today’s Mongolia as well, and they are believed to be of Altaian origin, too.

In Siberia it belongs to the jewelry of the Samoyedic, the Yurak, the Ket, the Yenisei-based Tungusic, the Dolgan, the Tuvan, the Shor, the Altaian, the Kyrgyz, the Karakyrgyz (Mountain Kasakh) and the Mountain Tadjik peoples, and it is found even with the Mongolian Buryats).

Khai is the traditional form of throat singing from the Sayan-Altai region, closely related to Altaian and Shor (kai), using only the lowest and highest register.

This is a two-string or three-string lute, related to the Altaian topshur, the Tuvan doshpulur and the Mongolian tovshuur.

This is a two-string fiddle of the Khakas people, related to the Altaian ikili, the Tuvan igil and the Mongolian ikil.

Traditional vocal techniques - Khai (throat singing – guttural singing) Khai (or kai, as it is called among the Altaian and Shor people) is the traditional form of overtone singing from the north-western Sayan-Altai region, with only the highest and lowest vocal registers being used.

This style is related with the sygyt of the Altaian and Tuvan people, wherein the highest and brightest tones are generated as the highest register of the voice is used.

It is related to the Altaian köömöi, the Tuvan khöömei, and the Mongolian khöömii, but focuses less on producing discernible overtones. It is the main style for storytelling.

New-age archeological finds show parallels between the Yakuts and the Buryats and Altaians.

Their Turk-speaking neighbours are the Tuvans, Altaians and Shor people.

Goats were important sacrificial animals among Turkic speaking peoples and the Altaians.

Their Turkic-speaking neighbours are the Tuvans, Altaians and Shor people.

These revolving shapes are called the “sun” by the Altaians, the Kyrgyz and the Buryats.

These revolving shapes are called the "sun" by the Altaians, the Kyrgyz and the Buryats.

Chinese and Lamaistic symbols had considerable influence on the ornaments of the Altaians of today.

It may also be found in the northern areas of Siberia, but all the South Siberian nomads use it: the Kyrgyz, the Kara-Kyrgyz (mountain Kazakhs), all Mongolian peoples, the Altaians, the Turkmen, even the Bulgarians and the Chuvash that had emigrated from Asia and were already settled for a long time and the Finno-Ugrian groups of Mordvins and Mari influenced by them.

Among the peoples of Siberia there may be distinguished between the "peoples of the north" settling in today's uttermost north of Siberia, and the "peoples of the south" comprising the Buryats, Altaians, Yakuts and Tuvans.

The Mountain Kazakhs (Kara Kirghis), the Altaians (Oirat or Dzungar people) and Mongolian clans practiced this nomadic lifestyle in the Altai Mountain region until modern times.

As a decorative motif it is found belonging to the Samoyedic people, the Nenets, the Kets, the Altaians, Tungusic tribes, Buryats and Kyrgyz.