Übersetzung für "Programmmusik" in Englisch

It’s not club music.

The musical Storm was a programmatic genre, an interesting 19th century romantic musical form.

Not until the early 19th century would such expressive instrumental program music, as it was known, become popular.

There was intense debate over absolute music versus program music during the late Romantic Era.

Even if his "absolute" music pays homage to one of the great string quartet and successful "obligatory violin parts" to Bach's Well-Tempered Clavier, he displays in his other works a clear tendency for program music.

In a programme note written in 1922 Bax stated that the piece is "only in the broadest sense programme music".

By no means the least provocation for rebarbative attacks in this critical discussion was the fact that it was precisely these melodic works which Stockhausen was particularly insistent on presenting as strictly constructed programme music, as composed allegories.

"Colors of Music" is their current tour and is a journey through the various styles of music, however, their music always has impressionistic sound patterns that descibe musical landscapes in a modern form of classical program music.

At the same time, Mahler didn’t regard such a confrontation of biographical and musical reality as programme music, even though he was still characterizing the symphony as a “symphonic poem in two parts” at its premiere in Budapest in 1889.

In Strauss's early scores the voice of the passionate advocate of the neo-romantic direction distinctly sounds, forcing to recollect, along with Wagner and Sheet, their predecessor Hector Berlioz, one of founders of program symphonic music.

The concert will be opened by the bewitching tone poem in fiery orchestra colors and mystical, spooky sounds "Night on a Bald Mountain" of the Russian composer Modest Petrowitsch Mussorgski, which is one of the best known examples of Russian symphonic poems of the 19th century.

In some ways it followed on from another programmatic form: the organ "Battle" of earlier centuries.

The Austrian Anton Bruckner was faced with very different expectations when he composed his Fourth Symphony. Because at the time program music was in demand, he claimed to have depicted knights and horses, hunters in the forest, and a folk festival in this Romantic Symphony .

Despite constituting one of the foremost characteristics of David Hudry’s musical poetics, the reconciliation of two historical adversaries – ‘absolute’ music and programme music – could almost go unnoticed.

The concert will be opened by the bewitching tone poem in fiery orchestra colors and mystical, spooky sounds “Night on a Bald Mountain” of the Russian composer Modest Petrowitsch Mussorgski, which is one of the best known examples of Russian symphonic poems of the 19th century.

A piece of music is only considered to be programmatic if the composer indicates the extra-musical idea in the title (i.e. programme).

But the work is more than a symphonic tone poem and programme music, more than a set of variations and due to the presentation two solo instruments, more than a symphonic concerto.

Richard Georg Strauss was a German composer of the late 19th and early 20th centuries, best known for his orchestral program music, his songs and his operas.

At the same time, Mahler does not want this confrontation of reality and musical realism to be understood as programme music – even though he is still apostrophizing it as a “symphonic poem in two parts” at the premiere in Budapest in 1889.