Übersetzung für "Orchesterbesetzung" in Englisch

The small orchestra line-up also pays tribute to the film accompaniment typical of the 1910s.

There are generally two distinctions to be observed in the orchestration of Offenbach’s stage works.

Emotional soundtrack, with great orchestra and big drums.

The 3rd and 4th Symphonies are essentially written for a “classical” orchestra.

The orchestration changes from number to number.

Piano, a small orchestra, flute and bells put a twinkle in the face.

The RSB-music festival program conjures such fascinating sound images with lavish orchestral casts – only to crush them.

Besides the strings, the instrumentation of the orchestra requires a flute, a clarinet and an alto saxophone.

The orchestra is composed of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, contrabass tuba, timpani, cymbal and strings.

The orchestral parts are for two oboes, two horn, two trumpets, timpani, strings and organ.

The orchestra includes 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpanis and strings.

Using a very specific orchestral scoring, the composer wants to touch the nerve of her young interpreters, to communicate the attraction of experimental music making, and at the same time to create a piece which continues the sound researches of her latest orchestral works.

The 12-piece orchestral scoring, including accordion and marimbaphone, reproduces the original version in dazzling colours and with a fitting temperament.

Depending on the nature and scope of the event, you can choose from a duett formation to an extensive orchestral cast and hear interpretations of different style directions with variable instrumentation.

It seemed logical, then, to develop a work for solo viola into a piece scored for the largest orchestral configuration available - full contingents of wind and brass, a battery of percussion, a generous string section, harp, piano and celesta.

The works, the grand, colourful orchestra and the rich acoustics of the recording space, together with the quality of the interpretation, offer optimal conditions for this.

Timbre Music is the only band in the Czech Republic (and probably in the world) who offers different show programs with the possibility of connection with small or large orchestra used for the whole evening.

The 12-piece orchestra (including accordion and marimba) reproduces the original in shimmering, appropriately spirited ways.

Variable in instrumentation: besides playing in the large orchestra, music is also made in small ensembles.

When Saint-Saëns hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known.

If you hear the words "Mahler" and "Symphony", you'll probably think of something relatively grandiose with great orchestral force.

The musical freestyler Andriessen, whose orchestration includes instruments played in rock music, not only incorporates statements about Mondrian and “Plastic Mathematics” as lyrics, but also organises the piece’s dramaturgy and time sequences according to the principles of Mondrian’s geometry – an exciting experiment on freedom and adventure.

A comparison of the surviving score parts for the Fucík piece with the Composizione, however, reveals that the two works have no similarities whatsoever, although they are scored for an identical orchestra.

Although Steffani was firmly rooted in the musical language of his native country, through the assimilation of French stylistic elements he found his way to a very individual manner of composition that also draws attention to itself in a particularly large and colorful orchestral scoring.

Whether it is the composition of the work, planning the orchestral instrumentation, choosing the right conductor or realizing the final product for film music, sound logos, slogans or even music for people on hold - Berliner Synchron pays close attention to ensuring that all instruments work together as a harmonic whole and none of them miss a cue.

Together with the librettist Giovanni Faustini, Cavalli also developed the public opera business in the lagoon city, including the use of a smaller orchestra than in earlier courtly opera performances.

Despite this, the instrument has not to date been able to establish itself in the classical orchestra - its idiosyncratic tone, ever-present and fluctuating between vocal urgency and jazz associations, is not sufficiently compatible with the classical-romantic sonic ideal.

Even beforeTime MachinesCurrier had already written a violin concerto for her, but its extreme orchestral demands made it virtually unperformable.

The ensemble, consisting of an eight-part double choir, a boys’ choir, 8 soloists and a huge orchestra including organ earned the Symphony its nickname “Symphony of a Thousand” before its premiere.