Übersetzung für "Katalogbeitrag" in Englisch

The recording session was captured on video by the Berlin-based photographer and documentary filmmaker Jan Bauer, as was the ensuing conversation between Meese and my father that can be found in this catalogue (page???).

For documenta 7 Goldstein wrote an aphoristic essay for the catalog, which begins with the assertion that "media is sensational". This sentiment runs like a red thread through his work and is specifically a leitmotif of his paintings.

As François Piron notes in his contribution to the catalogue, many of Heltoft's works adopt "the logic of dreams in which an everyday object, a breath of wind, or the song of a bird enables the dreamer to pass from one world to another.

Maciej Miezian participated in research for the project “The Futurism of Industrial Cities – 100 years of Wolfsburg/Nowa Huta” and contributed an article to the exhibition catalogue.

While her essay for the current Deutsche Guggenheim exhibition Robert Mapplethorpe and the Classical Tradition is organized around the cross-over between Allegory and the Classical, her understanding of Robert Mapplethorpe’s work re-informs the photographer’s need to deliver private pleasure publicly.

Stephan Schmidt-Wulffen gave his 1998 catalogue contribution to works by Klaus Hartmann the similar and more general title, "Verlorene Bilder" (lost pictures).

In his catalogue essay on "Signs and Objects," Alloway discusses Pop Art's connection to the media, mass production, and the role of the commodity, although he stops short of a thorough investigation into linguistics and semiotics.

He subsequently developed a preliminary thesis for a new, worldwide absolutism as his contribution to the catalogue accompanying the Trade Fair project.

In her catalogue contribution Sabeth Buchmann describes how Locher “has developed various forms for his work along the lines where (conceptual) art, semiotics, deconstruction and (post-) structuralism meet,” thus making a key contribution to the further development of the information paradigm of conceptual art:

Writing about my work in the catalogue he said: "The better the (artistic) work of your lover is, the better you can love him/her, and the better you have a chance to grow (as an artist).

In his article for the exhibition catalogue, Peter Weibel also makes reference to this by taking a look at the entire spectrum of Kowanz’s oeuvre, ranging from coloured light painting and film to light artworks: “From one image to the succession of many pictures, from the canvas to the frame, from painting to film”, and he adds: “the presentation of light in painting turns into real light in art.”

In view of the "current disturbing international situation," the Russian art experts stressed in a catalogue essay at the time, the works shown in Fear and Hope could be understood as an appeal to the power of human reason.

In his essay for the catalogue Nutsy's, Glenn O'Brien formulates it even more clearly: in the urban ghettos and the Third World, "bricolage” means the same as "business,” and primitive working methods and globally functioning economic models are combined.

Brought and set together by a generator who in this case was not creating net.art, but rather, a contribution to a catalogue on the net.art.generator by the artist Cornelia Sollfrank.

Arnulf Rainer, Im Gewirr gefangen, 1974, Sammlung Deutsche Bank Peter Bömmels, Eiermänner, 1998, Deutsche Bank Collection The modern human being somewhere between dream and nightmare: a "chameleon-like being with Sisyphean traits" is what Veit Loers called the artistic human image of the 20th century in his catalogue essay on the exhibition.