Übersetzung für "Gesangslinie" in Englisch

It is the instruments that leave no space for vocals.

Do you start with a vocal line, a riff, or keyboard arrangements?

Martin has written a new vocal melody for the verse.

Fia di is a very beautiful point of conclusion for this production and lives from the unusual singing line.

The recording of Mozart’s Symphony No. 28 in C from 1973 documents Böhm’s Mozart style, then considered to be valid for all time: Moderation in tempo and dynamics, gentle, springy articulation and a style of phrasing schooled in vocal lines are still compelling despite, and perhaps because of, the radical changes the interpretation of the Mozart sound has undergone since the revival of interest in historical performance practice.

There are three systems with the melody for vocal part (bass) and the accompaniment (excerpt), the vocal line is backed by German and English text.

I once did a record that took 8 days 10 hours of doing vocals, doing like the same line 9 or 10 times, then picking the best.

This magical songbook features new engravings, with a separate vocal staff, plus Guitar frames, so players and their friends can sing or strum along.

I once did a record that took 8 days 10 hours of doing vocals, doing like the same line 9 or 10 times, then picking the best.

The originality of Pergolesi's interpretation is to be found in the single line of song almost entirely stripped of all artifice.

The progression choir/soloists builds a non-stop line of song, both groups blending without ever falling into bipartite dialogue.

The plain keyboard score, in which the melodic line follows that of the voice, suits the tender text.

I was not able to find any beautiful or interesting melodies, neither in the voice-line nor with the lead-guitar (if it can be noticed anyway!

It is not enough to alternate harder and softer sections. The differences in speed and harshness, in rhythm and melody have to derive from a kind of build-up of tension, because when they are happening only for the sake of themselves they just sound volitional.

This happens every once in a while when the music and the words/vocal line for a particular track work perfectly on their own but not together.

Although the expansive vocal line, the atmospherically complex interplay between protagonist, orchestra and chorus and the stylistically perfect entry of the coloratura meld suggestively into a perfect whole, the intention behind Bellini's art is not merely to be 'beautiful'; it is always subservient to expression, giving us an understanding of a figure on the stage who is often in thrall to extremes of emotion.

Although the expansive vocal line, the atmospherically complex interplay between protagonist, orchestra and chorus and the stylistically perfect entry of the coloratura meld suggestively into a perfect whole, the intention behind Bellini’s art is not merely to be ‘beautiful’; it is always subservient to expression, giving us an understanding of a figure on the stage who is often in thrall to extremes of emotion.