Übersetzung für "Druckstöcke" in Englisch

Sander's book "Face of our Time" was seized in 1936 and the photographic plates destroyed.

The wood blocks were cut from 1515 to 1517 by Hieronymus Andreae of Nuremberg, no doubt with workshop assistance.

The wood blocks of Fries found their way into the ownership of Melchior and Gaspar Trechsel in Lyon.

All the plates, except for the cover page, are preserved in the British Museum in London.

Printing blocks and tools can be easily cleaned using LINO CLEANER and/or water.

Sander’s book Face of our Time was seized in 1936 and the photographic plates destroyed.

With the aid of the printing blocks or stamps, musical notation indicia or musical clef indicia can be pressed onto the work surface with a coloring agent, which indeed adheres but can be wiped off again, wherein the possibility exists, to provide for example different colors for different note values and associated rest symbols and to support in this manner the learning process.

The form-parts and/or the printing blocks or, respectively, rubber stamps can be placed in an orderly manner according to color and/or value in the individual compartments such that they can be quickly found again for further use.

It was a lengthy, painstaking process, requiring thirty to fifty engraved printing blocks and up to seventy inkings and impressions to create a single image.

The wood blocks are carved by the same anonymous artist who also made the most recent maps in the 1522 Strasbourg edition of Ptolemy's Geography.

The challenge with this method is the precise positioning of the individual printing blocks one after the other, without the contours shifting at all.

At the same time the equipment used for or intended for the production of the written material, such as plates, frames, type, blocks, negatives or stencils, shall be destroyed.

Other noteworthy accessions by the museum include drawings, woodcuts and other original works by Johannes Lebek (1901 - 1985), which complement the printing blocks, illustrations and other works of art by Lebek already held in the museum's collections, forming a representative overview of the artist's complete oeuvre.

In order to guarantee the edition and prevent any further editions from being printed, the wood blocks are destroyed after the completion of the edition, the plates ruined.

Other contributions were made by Albrecht Altdorfer (38 blocks), Hans Springinklee (20), Leonhard Beck (7), Hans Schäufelein (2), Wolf Huber (2), and Albrecht Dürer (2).

The right position of the blocks is found by touching the blocks through the first of the attached papers.

Created printing blocks are kept and stored, sometimes repeatedly reworked and brought into new compositions.

Permanent reprints were necessary, but there were deviations due to the wear of the printing blocks.

If manuscripts, original items, printed items, negatives and other objects produced by the ordering party or by us on behalf of the ordering party are to be insured against theft, fire, water or any other risks, the ordering party alone shall be responsible to effect this insurance at his expense.

These four pages of text were cut by hand into wooden printing blocks in Kathmandu and then printed on Lokta Paper 80g.

We will be pleased to make for you complete stamps or printing blocks into your existing stamps both at our registered office in Prague 9 or in our sample shop in Prague 8.

The ultimate difference between multiples and prints also lies exactly here: indeed for the latter - apart from monotypes - it goes without saying that a number of sheets will be run off every printing plate; however, for prints, comparatively, the serial nature of their production is rarely set up as having its own aesthetic value, and it is irrelevant to speak of the equivalence of the pieces among themselves, on the contrary, because the relief plates wear out, early proofs are more desirable and fetch a higher price among collectors.15) Although inspite of their serial production, prints are more often considered individual pieces whose differences don't allow them to be exchanged for each other; purchasers, collectors and museums constantly refer to the other pieces of the same edition in the name of their own multiples.

In his seminars with Carl Otto Czeschka and Bertold Löffler, Kalvach worked intensely on the creation of wood- and linocuts, but it was only later on that he developed a technique of his own: Instead of placing several printing blocks on top of one another to create a multicolored picture, Kalvach printed in black and then added the color as required.