Übersetzung für "Choreografieren" in Englisch

So we should probably get into choreographing the foreplay.

Kush and my brother are choreographing our dance.

There is nothing wrong with people choreographing their own ending.

In 1994, he returned to choreographing his own works.

Schreiner reveals his qualities in collecting and choreographing footage from classic (Hollywood) films.

Choreograph, teach and direct dance works.

Together with him, she gained first experiences in teaching and choreographing.

Choreographing as an action means finding orientations within a sample of conditions.

She has been dancing with EN-KNAP since 1999 and began choreographing at the start of 2000.

Here we train, rehearse, choreograph, compose, adorn, and animate our entire production.

All dance students have the opportunity to perform and choreograph as part of their core studies.

And we wanted to push the idea of the music video that was meant for the Web beyond the four-by-three or sixteen-by-nine window and try to make it play out and choreograph throughout the screen.

In 1960, Fosse was, for the first time, both director and choreographer of a musical called simply "Redhead".

In late 1941, the Ringling Brothers & Barnum & Bailey Circus made Balanchine the unusual proposal to do the choreography for a ballet involving the circus's famous elephant group in the spring of the following year in New York.

During the next seven years he created original works for the Stuttgart Ensemble, and for ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco.

I could choreograph a piece to it.

But that tape that Grace was watching, it showed him using it to choreograph.

In late 1941, the Ringling Brothers & Barnum & Bailey Circus made Balanchine the unusual proposal to do the choreography for a ballet involving the circus's famous elephant group in the spring of the following year in New York.

Christine Song, *1973, Korea, grantee 1992-1993, has moved back to Korea after her ballet training at the Swiss vocational ballet school (SBBS) in Zurich and has danced in musicals such as Phantom, Beauty and the Beast, The Producers and carried out free lancing work such as choreographing for TV advertisements in Sydney, Australia.

During my amateur career it was not unusual to stay with the same freestyle routine for over two years, while of course, choreographing a new short program each year.

The work was created for the 25th Anniversary City Center Gala. Originally Robbins intended to choreograph only a pas de deux for Edward Villella and Patricia McBride which had its first performance as part of the gala on May 8, 1969.

The piece shows the beginning of her career as a choreographer and thus focuses on a moment in which she discovered choreographing as a possible element in her creative work.

The naivety of childlike play offered the performers a platform – a reason to move again, to reshuffle the boxes of the theatre apparatus, to sing instead of choreograph, to put into action different choreographic agendas at the same time, to reflect on the material conditions of our labour, or to, simply, wish to take a break.

During the rehearsal season, I also had the privilege of helping Mr. Yung-Chia Chen with choreographing this piece.

With new, advanced automation and orchestration capabilities, IT can realise and deliver value faster by efficiently choreographing the diverse functions of infrastructure, applications and processes that have been built up over the life of the business.

The dancers work with their teachers/choreographers throughout the school year. They improvise, experiment and create choreography with words and music, using various materials and selected topics.

Our aim is to choreograph this effect synchronously which is why we developed these absolutely simultaneous cuts and the dramaturgical parallels.

The interest is to establish a platform of associations, which provokes curiosity and an adventurous way to invent choreography.