Übersetzung für "Bläsersatz" in Englisch

If things work out, we can talk about a whole horn section.

The wind passage (score flexible) requires a professional player.

The Jamiroquai I got on stage accompanied by a horn section consists of three elements.

Just the brass section in the intro of »That’s Alright« gives you goose bumps.

But there is also a jazz element, underlined by a great brass section on stage.

These orchestras play lighter versions of the danzón without a brass section and emphasizing flutes, violins, and piano.

The band could be drawn into three sections: the four-man horn section, the traditional rock instruments of the five-man rhythm section, and the two singing brothers.

These three nightingales are joined by one bunch crazy of musicians: a five-part wind section, piano, bass, drums, accordion, violin and hurdy gurdy.

Lex: „Maybe(!) at Zappanale we will have a wind section up our sleeves“.

The lovely Adagio opens with a chorale-like wind theme and later presents Tristan-like harmony and powerful build-ups, which at times suddenly subside to a piano.

The harmonium was used to supply color, here as a substitute for the winds.

His rollicking rendition of Bo Diddley's no-nonsense grinder Before You Accuse Me hails from Delbert's 1976 ABC set 'Genuine Cowhide,' cut in Nashville with a band as eclectic as McClinton: Reggie Young, John Lee Christopher, and producer Chip Young on guitars, keyboardists Bobby Emmons and Bobby Wood, bassist Mike Leech, drummer Ken Buttrey, and a four-piece horn section.

But almost unnoticeably other elements creep in, the pieces become more varied: a brass substitute, a Latino quotation, a bit of jazz.

And on July 7, 1952, he waxed the hard-driving Lonesome Train with a tight horn section behind him, King house guitarist John Faire providing the locomotive-fired fretwork.

At the end, the hectic motion is directed in a constant crescendo into a weighty, striding example of brass sound which breaks off with a sharp sforzato.

The smallest drummer alive, a steady working rhythm-section, a compact horn-section and an untiring singer let become Baboonz-concerts to an unforgettable event.

His horn section, the Matterhorns, is featured on over 50 albums and at least twice as many leading advertising campaigns.

The band has a lineup that features two excellent guitarists (Heinz Wiskozil and Olaf Kalemba) and a six-piece horn section.

The opener “Jeannine” is distinguished by its compact wind instrument section in big band look, with a subtle Latin feeling, punctuated by pianist Joerg Reiter.

Of course, you'll still find the typical tricks from his toy box, as shown in »The Gospel« or »Social Insecurity« – a drum beat, a brass-set and an ideal amount of dust particles remain to be the sure shots of Amir el Khalifa.

With Thomas Stabenow on bass, Joerg Reiter on the piano, Jürgen Seefelder on the tenor saxophone and Sebastian Merk on drums, he has gotten the crème of German jazz on board. Torsten Dewinkel on the acoustic guitar together with Omar Plasencia on percussion instruments adds a Latin flair. Christian Meyers on the trumpet, Alberto Menendez (known from his work with Eddie Palmieri, Carlos „Patato“ Valdez, Benny Bailey and Karl Berger) on the tenor sax and Allen Jacobson on the trombone form the wind instruments section.

Once upon a time, while recording with His Masters Voice, Becker had an experience that other musicians probably dream of all their lives: For one track, his horn section was reinforced by funk legends Fred Wesley and Pee Wee Ellis – long-term companions of Mr. James Brown.

When the pianist Sebastian Sternal was naming his new project, in which he enlarged the fine sound of his piano trio to include a four-piece horn section and a string quartet, and then named the project "Sternal Symphonic Society", he knew exactly what reaction he could expect: A very large format comes to mind, a mega power plant of feelings with its elaborate machinery, its carefully drawn blueprints and its excess of details.