Übersetzung für "Bilderzählung" in Englisch

Her work combines painting and visual narrative, autobiographical writing and films.

Andreas C. Knigge described Busch as the "first virtuoso" of illustrated stories.

Instead of words, the artists use pictures to tell a story.

The symbolic charge of the material human hair should never be seen in direct connection with the pictorial narrative.

In all this, however, she does not fall into mere idyllicism, but also shows sadness in fortune, when, for example, her parents' cohesion in a pictorial narrative is described as fragile.

The eye first needs to adjust to these paintings: strong colors and big gestures, a tremendously rich visual narrative, blurring boundaries between abstract and figurative elements.

To create the series of drawings that deals with christian counting of images and our view from today onto the sacral art work the artist even climbs onto a scaffold to be able to have a close look at the details.

After studying ceramics at the art academy in Cluj and spending a semester abroad at L'Ecole Supérieure des Arts Saint-Luc in Liege, she turned increasingly to illustrated storytelling, but also expresses herself in other forms, ranging from illustrations to ceramic art.

For years already, Sugimoto (picture), a Japanese artist who lives in New York, has had the idea of combining his black and white photo series of dioramas in natural history museums with his photographs of figures in wax museums around the world in a single volume – as a pictorial narrative that could also serve as a travel guide for extraterrestrials.

After studying ceramics at the art academy in Cluj and spending a semester abroad at L’Ecole Supérieure des Arts Saint-Luc in Liege, she turned increasingly to illustrated storytelling, but also expresses herself in other forms, ranging from illustrations to ceramic art.

After Mawil had drawn the story of three people looking for a shared apartment and submitted it as a group semester project titled »Alltagsspionage – Comicreportagen aus Berlin« (tr. Everyday espionage – comic reportage from Berlin), he created, also as a coursework project, his first long pictorial story, »Strandsafari« (2002; Eng. »Beach Safari«, 2003), which won the ICOM Independent Comic Prize in 2003.

The deformation of the face with a growth resembling a gas-mask in front of nose and mouth would suggest something like a cyborg, a human-machine hybrid, which leads an unsteady, shadowy existence at the interface of varying reality levels, between abstract visual narrative and visionary comic fantasy.

To my mind, comics – and incidentally this coincides with what Alexander Braun writes in the exhibition catalogue "Pioneers of the Comic Strip" emerged in the American press at the end of the 19th century, and are characterized by the very close link they make between the written and pictorial narration.

In accordance with this perspective, the exhibition has been designed as a flowing and poetic picture story.

The fact that the metaphors generated by the conjunction of different recognizable objects with the forms they depicted, in this case, for instance, painted driftwood and a pair of trousers, now occupied the literal foreground of the viewer’s attention, afforded the more traditional pictorial narrative a subservient and, for me, less insistently autobiographical role.

Are they telling their story, is what’s happening all in the description, or does the text depict a description, a visual narrative, which then happens elsewhere?

From an art-historical point of view, it represents the attempt to create a contem­porary, stage-like narrative space ­– »as an interplay between a space for memory and a visual narrative, as a narrative space which the viewer can assimilate both in its entirety ›in one go‹, as well in the individual elements as he walks by, either sequentially or en masse«, as Renate Wiehager describes it.

For example the motive of the head serves as a platform to "narrate" images as a true starting point and source for ideas for the stories.

In line with this she has developed a kind of open visual narrative that repeatedly jumps from present to past and often blurs the meaning of the two tenses.

Removed from their context, the photos become a pictorial narrative of the outstanding events and personalities of the entire year.

As Barthes' and Marker's similar definitions emphasized, acknowledging the opposition of the independent image and sound editing, as well as the way the view and the voice are organized, serves to liberate the visual narrative, which should no longer be used to illustrate or imagine solely linguistic semantics.

Kruckenhauser arranges the single shots to an elegant narration, which in 2004 convinced Martin Parr and Gerry Badger to include “Ein Dorf wird into their standard volume on the history of the photobook.

The pictures illustrating the story of Esther begins on this page with a representation of Esther before the Persian king.The sequence of the images follows the occidental reading direction of left to right, while the text itself – as in all Hebrew manuscripts – is written from right to left.