Übersetzung für "Gewaltsamkeit" in Englisch

A feature of true love is a lack of elements of violence and compulsion in it.

Very soft sounds can be highly charged with violence.

Endemic violence in areas of weak, previously non-existent statehood is far from new.

It is only when an economic crisis is transformed into a social, political crisis, that the floodgates of history are opened and overdue social change unloosed with a violence which is in proportion to the depth and duration of its prior suppression.

The bureau of the Assembly, alarmed by its violence in the Mauguin affair and accustomed when it has ventured a blow at the executive power to receive two blows from it in return, does not sanction this decision.

Profoundly shaped by Muslim culture and tradition« - chose literature in order to become more than a passive, mute witness to events whose violent nature challenges all her senses.

If social scientists respond to every outbreak of mass violence by talking of war, they needlessly propagate a vogue concept of journalists and politicians which contributes little to our understanding of concrete events, while diluting our conception of war for no good reason and, above all, giving succour to sham justifications for disproportionate counter-terror actions.

Generally, there is no compelling case at all for terming as “war” every form of mass endemic violence, every large-scale massacre or every instance of armed gang crime.

On the subject of the conflict in Ukraine, the German Foreign Minister said in Rome that it constituted “the return of violence to Europe”.

In the Tugendlehre, § 17, we read that violence and cruelty to animals “is quite contrary to the duty of man towards himself, for thereby sympathy with the sufferings of animals is blunted in man.“ This standpoint of kindness to animals as a duty to self and the principle inculcated, that of “gratitude“ towards domestic companions, seems to me very lofty.

The supramental has a greater – in its fullness a complete mastery of things and power of harmonisation which can overcome resistance by other means than dramatic struggle and violence.

Lüdtke's dissertation Gemeinwohl, Polizei und Festungspraxis analysed governmental violence practices of Prussia in the early 19th century.

An absolute end, an absolute beginning is not only a contradiction in terms, but a contradiction of the essence of things, a violence, a fiction.

Those who demonstrate the greatest violence and who can reshape society to form profitable markets in violence seem to determine events.

One drawing, for example, unites the central element in the two paintings while also illuminating the—formal as well as substantial—affinities with a third work in the exhibition, Shooter 2 (2016): a largely abstract composition in garish colors in which the barrel of a gun, pointing directly at the viewer, makes for a sight of shockingly violent immediacy.

This document and the use made of it by high ranking officers was said to have served, encouraged and advocated hatred and ethnic violence.

But it was not only the sudden angers and violences, but probably also the desire to help, to reform, to purify and other intensities and vehemences that came from there.

There is also an air of superiority transpiring from the sayings of many leaders and politicians, the writings of some thinkers, and also in diverse media productions such as movies, series and novels that made it a habit of stigmatizing Islam with defects, violence and terrorism.

But where this also is wanting, and at first no animosity of feeling subsisted, a hostile feeling is kindled by the combat itself; for an act of violence which any one commits upon us by order of his superior, will excite in us a desire to retaliate and be revenged on him, sooner than on the superior power at whose command the act was done.

It is like a wave, as if all the violence had turned the solid matter into a sea.

On the one hand, what was a strict self-purpose for Kant, turned out to be a means in the practice of bourgeois society[6], and on the other hand, it is precisely in this instrumental real history of the principle of publicity that the "inner violence" of its formulation as an ideal concept becomes evident – namely, that "the main battle must be carried out against all particularities"[7], which primarily means: against the materiality of the social situation on which publicity is ultimately based.