Translation of "Rhythmisierung" in English

The rhythmization of the Corps is transferred in the image.

The milonga and the candombe own a similar tempo, the latter a less complicated rhythm.

How did this characteristic rhythmic façade come about?

Depending on where the viewer is standing, the façade rhythm creates different images.

Rhythm is added by fine-line stripes, ring stripes or coloured wovens.

Technical capabilities of automated adaptation of the light color temperature also become daytime rhythmization of the patients.

The rhythm added to the façade relates to the Riphahn building as well as its typology of addition.

The recurring rhythmification of disconnection and communication creates an atmosphere of concentration and reflection.

Special attention is given to the rhythm, aiming to be as uniform as possible.

The playful design of the façades with their restrained rhythm helps articulate the volume.

Autschbach's interpretations of well-known songs are integrated in this recognizable style of composition by using reharmonization and often a new rhythmic approach.

Even when she refers to natural life in all her work periods, the rhythmic pulsing of these colour fields here is a matter of an art-immanent pictorial language.

Girardet’s work is shaped by work with found footage that reveals themes lying behind film constructs such as gender identities or violence by way of the repetition or rhythmification.

An important aspect of the lessons is their “rhythmic“ structure and the simultaneous creation of choices and opportunities for movement.

The example of the work La Ola-Welle, in which a horde of fans in the football stadium raise their arms in unison clearly illustrates the ideas concerning Spengler’s pictorial compositions: the rhythmization, i.e. the change from moving to static forms, gives the relief tremendous tension.

Die Sinfonie der Großstadt» (1926–1927) emerge; these do not have abstract film material as their foundation, but rather use documentary film images and are supported by the strong rhythmification of the images.

The third phase conveys triumph on the narrative level—the demolition of the Japanese base—through creation of an audiovisual rhythm. A series of blasts filmed as long shots within which cuts and the sounds of explosions create an almost metric rhythm whose frequency of beats gradually increases towards the end.

It is currently being divided into sections, whose joints are configured as nodes, resulting in a consistent rhythm of the long road, and emphasizing the curvature of the edge of the urban space. Part of the gutter also contains water.

The ways the words sound, their very individual rhythm, owing to the free way in which the text is positioned on the pages, the poetic voice which is thus surrounded by silence and void, all demand of the reader an attitude through which understanding gains a creative dimension!

The outcome is a very innovative film music that seems with its “noisy” sounds and strong rhythms like a forerunner of punk and techno, and was thus highly controversial at the time.

Executed in an almost Dadaist fashion combined with Japanese elements, this reference material introduces a certain rhythm, then to be discovered in the exhibition's architecture and the individual works.

She manages to orchestrate an inimitable rhythm in her images, formerly using columns as architectural set pieces, and more recently with living figures as well.