Translation of "Raumerfahrung" in English

Eva Rothschild is always interested in spatial experience.

In this way, the body becomes the intersection and anchorpoint of the experience of space.

The second part of the exhibition is dedicated to personal experiences of space.

He leads us to what is in each case a unique experience of space in the here and now.

The experience of light and space raises questions such as: What is a house?

The speed of sound, with the feedback, produced an intense spatial experience.

Archaic discoverer’s metaphors have also been marked for the WWW net’s space experience.

Owens also regards painting as a medium of spatial and bodily experience.

A very special spatial experience shapes the Axes of Exile, the Holocaust, and Continuity.

The visitor´s spatial experience develops on different layers, changing with every new perspective.

The visitor´s spatial experience developed on different layers, changing with every new perspective.

A subtly ambiguous appreciation of space helps here to circumvent the segregating function of the threshold.

In this way, the new relationship of sound to space, in which the static sound installations of the second half of the 20th century are expanded to allow for a dynamized experience of space through noises controlled spatially and through movement, establishes a new field of sound-cartographic methodology.

Whether the light becomes a feature in itself, or remains a subtle spatial experience created by the lighting – the possibilities are endless.

The underground floor of the Jewish Museum Berlin, namely the axes of "Exile," "Holocaust," and "Continuity," affect our experience of space.

In Belle indifférence, which shows the highly pregnant Else Gabriel as a “mother monster” in urban space, the artist couple works with comic defamiliarizations of spatial experience and perspectivization.

Since our experience of space are, however, limited to momentary segments of time, growth must be the core of existence.

Visual structure is given to the artistic interventions by an architectonic display which refers directly to a changing spatial experience through its staging qualities and, at the same time, is a platform for the presentation of different perceptual levels.

The glazed ceramic in blue and green was created as a unique piece while searching for a new experience of space, not only for sculpture, but for painting as well.

Inside an airplane, the field of vision is extended as the viewer becomes immersed in a vast space with multiple perspectives. László Moholy-Nagy referred to "a more complete space experience."

Important is that they experience the space of the body and the polarities of above/below, right/left, front/behind.

The postmodern architecture of Daniel Libeskind, with its references to German-Jewish history, creates a distinctive experience of space at the Jewish Museum Berlin.

The Mieke and Jan Teunen collection includes the outstanding art object 'Quattro spirali', which exemplifies Mari's investigations into the area of visual-spatial experience, a multiple with the title 'Oggetto a composizione autocondotta', as well as spherical and cubic objects made of synthetic resin.

The examination of fundamental questions of spatial experience and its integration into experimental contexts stimulates the development of media communication structures which regard the data space not as a surrogate of real space but as an integrative component of the living world.

As explained in greater detail below, in such designs, the visual spatial impression and the sense of space resulting from the tilt movement are not consistent with one another, or even contradict one another, such that striking, in some cases almost dizzying effects with high attention and recognition value result for the viewer.

As explained in greater detail in the following, in such designs, the visual spatial impression and the sense of space resulting from the tilt movement are not consistent with one another, or even contradict one another, such that striking, in some cases almost dizzying effects with high attention and recognition value result for the viewer.

If “digital spaces” in the form of GPS navigation systems become components of everyday space experiences (like trucks occasionally getting stuck under bridges), the picture of a virtual space detached from real space obviously has ceased to be valid.