Translation of "Originalklang" in English

The balance between original sound and effect sound is adjusted at the RFX-1100.

Stereo pitch shifter which adds a pitch-shifted component to the original sound.

Erich Höbarth and his colleagues from Mosaïques tell it with Viennese humour and in the original sound.

Several effect types can be combined to change the original sound.

Every audiophile is searching for truly original sound.

Material plasticized wood film clap perfectly reproduce the original sound for a successful staging.

Performed on historical instruments (original sound).

The Freiburg Baroque Orchestra presents the cosmopolitan orchestral works in original sound – though in a present-day concert ambiance.

The baroque Marble Hall, in which the concerts take place, makes its own unique contribution to the 'original sound'.

At the styriarte 2016, Nikolaus Harnoncourt conducts all Beethoven symphonies in their authentic sound for the first time.

In this example, the balance between original sound and effect sound is adjusted with the MIX control of the RFX-2200.

You can temporarily turn effect processing off, so that only the original sound is output.

The original Trimba is still played today by Moondog's friend Stefan Lakatos, a Swedish percussionist, to whom Moondog also explained the methods for building such an instrument.

The Ping-Pong box, when checked, makes the echo appear at the panning location opposite the original sound.

This can be either WET MUTE (effect sound only is muted) or DRY THRU (original sound is passed through unprocessed).

Nikolaus Harnoncourt conducts Beethoven’s “Missa solemnis” in the original sounds of the Concentus Musicus Wien for the first time.

But analog processing would not only spoil the excellent technical specifications of mic preamps but also alter the original sound.

The Russian orchestra Musica Aeterna was founded in 2004 by Teodor Currentzis in Novosibirsk with the goal both of performing Baroque and classical works in the original sound and of giving a fresh impetus to the field of contemporary music.

It soon became clear to Christian Goosses that his special interest lay in so-called “historical performance practice” – the search for the original sound, the tonal implementation that composers had in mind whilst composing.

Friday 25 May, again in the Raphael Hall of the Vatican Pinacoteca, sees the performance of the concerto "Vox angelica and rediscovered sounds ", with vocal works and sonatas from the 1700s (Perti, Vivaldi, Barsanti, Händel, Pergolesi), restored to their original sonority.

Under the baton of Ivor Bolton and with cellist Jan Vogler as soloist, the musicians set out in search of the original sound of Dresden's Romantic period.

Being an ensemble that dedicates itself to the historical performance practice, the Festival Orchestra explores the original sound of Schumann whose work is connected to Dresden.

Connoisseurs will note that, although I am constantly dealing with “Brucknerian” material, in fact I almost never quote Brucker in the original – just 4 out of a total of 1,327 bars – and I also avoid an imitation of the Brucknerian orchestral sound as far as possible.

In Philharmoniker concerts, Marlis Petersen last appeared in the Original sounds series with the Coro e Orchestra Ghislieri under the direction of Giulio Prandi in a programme which included works by Haydn, Mozart and Pergolesi.