Translation of "Nebelmeer" in English

In the back a cloud deck covers the Ionian Sea.

Avalon is a magical island in the Mist Sea.

The Churfirsten are towering over the fog.

Fog sea border: The first hills are rising above the fog sea.

Üetliberg and Lägern are raising their tops out of the clouds.

In autumn, the view over the sea of fog in the Rhine Valley is often impressive.

Wanderer above the Sea of Fog (), also known as Wanderer Above the Mist, is an oil painting composed in 1818 by the German Romantic artist Caspar David Friedrich.

In winter, often attracts a dreamy landscape of unspoilt snow, overlooking the sea of fog.

At the southern foot of the Kaiserkrone there are several sandstone rocks of unusual shape that were rediscovered in the sketch book of Caspar David Friedrich, which he drew during a visit to the Kaiserkrone and later used as the undercoat for his painting "Der Wanderer über dem Nebelmeer".

With so many Instagram photographers posting pictures of people from behind how they are observing a stunning landscape I started to see a parallel to Friedrich's iconic painting "Wanderer Above The Sea of Fog".

Through an ocean of mist the Atlantean gazed up at that which to him was not divided into six or seven, but which acted together.

Caspar David Friedrich's "Wanderer above the Sea of Fog," an archetypical Romantic painting, shows a mystical natural scene in which religious references are blended with subjective perception.

Breathe in the scent of the Alpine flowers, feel the refreshing spray from the waterfalls on your skin in summer, rejoice as the mountain peaks emerge from the sea of mist in autumn and listen to the crunch of snow under your feet in winter – the region at the foot of the Eiger, Mönch and Jungfrau is an invitation to enjoy the mountains with all your senses.

Casper David Friedrich in his famous painting "Wanderer über dem Nebelmeer" was undoubtedly particularly apt.

It was that he was still able dimly to sense something of the ancient greatness and majesty of a period which existed in the old Atlantean epoch, in which the division of the races had hardly begun, in which men could look up to the Sun and perceive the Spirits of Form penetrating through a sea of mist.

This creates a mist above the liquid in the container, which then settles and deposits the desired liquid film on the sample carrier.

This leads to a relatively inhomogeneous mist, and thus to an inhomogeneous liquid film on the sample carrier.

The spray nozzle 3 produces a homogeneous mist 5 of droplets 4 of the reagent solution, the droplets 4 having a uniform size.

In this embodiment, the spray nozzle 3 is located in the lower part of the container 1, the droplets 4 being sprayed upwards into the entire volume of the container 1 in order to generate the mist 5 .

When coating a new sample carrier 2, these reagents may have undesirable effects, especially if a different reagent liquid is used for generating the mist 5 .

After a predefined time, a next step may consist in vacuuming the remaining mist 5 out of the container 1 by means of a suction device, so that only the droplets 4 already settled on the sample carrier 2 remain in the container 1 .

Have you always wanted to stroll around Bosch’s Garden of Earthly Delights, patrol the streets with Rembrandt’s Night Watch or look into the distance over the sea of fog together with Friedrich’s Wanderer?

In one of these pictures, taken at the Cala Rossa off the island of Favignana, sits a small figure, facing away from the viewer, in front of the immense emptiness of a gray-green sea, almost like the Wanderer above the Sea of Fog.

For a while the street leads us above the fog and we are like floating on clouds.

The artist often places a small human figure in a broad landscape, as in his famous paintings Monk by the Sea and The Wanderer above the Sea of Fog.