Translation of "Liedbegleitung" in English

Especially in England it was a very common instrument for song accompainment.

Since 2013 he has been a professor for lied accompaniment at the Hochschule für Musik in Würzburg.

Ulrich Koella offers future pianists the opportunity to specialise in Lied accompaniment.

In addition to her solo performances, Elisaveta Blumina is also an active chamber musician and song accompanist.

Piernay spent his childhood, youth, and first studied in Berlin, then began the study of singing, piano, song accompaniment and conducting in London.

Keller has received various prizes and awards including 1st prize at the Landolt Piano Competition in Zurich, 2nd prize at the Hans-Ninck Piano Competition in Winterthur and the Chamber Music Prize for Lieder Accompaniment at the European Classical Festival in Germany.

A native of St. Petersburg, Elisaveta Blumina began her studies at the Rimsky-Korsakov Conservatory, specializing in Piano, Chamber Music, and Song Accompaniment.

The program of teaching events covers piano, singing, song interpretation, song accompaniment, violin, viola, cello, double bass, flute, clarinet, saxophone, trombone and chamber music.

After getting her Bachelor’s degree in piano performance from the Eastman School of Music in New York, she studied opera coaching in Milan and then moved to Vienna where she collected two more graduate degrees in vocal accompaniment and chamber music.

In addition to his career as soloist, Mr. Park is involved both in concert, as well as in CD recordings in chamber music and vocal accompaniment, which he has made with such illustrious musicians as Richard Yongjae O'Neill and Sumi Jo.

Isabel von Bernstorff, born in Bad Hersfeld, studied with Prof. Georg Sava in Berlin and Prof. Rainer Hoffmann in Frankfurt (piano chamber music and song accompaniment).

She also devotes herself intensively to the accompaniment of songs, especially with Vesselina Kasarova, which connects her with an intensive collaboration.

In July 2010, Manuel Lange was called to the Hochschule für Musik Detmold to become Professor of Lied Accompaniment and Lied Composition.

The pianist Hansjürg Kuhn completed his musical studies at the conservatory of Berne (piano and choral direction), the Vienna Academy of Music (chamber music and accompaniment (under the tutelage of Erik Werba et al.) and in Geneva under Harry Datyner.

In July 2010, Manuel Lange was called to the Hochschule fÃ1?4r Musik Detmold to become Professor of Lied Accompaniment and Lied Composition.

He found additional artistic inspiration in the Lied class of Hartmut Höll and in master classes with Sergei Dorensky (Salzburg/Moscow) and François-René Duchâble (Paris).

Lucas Blondeel completed his studies of the modern concert piano by studying the forte piano (among others under Jos van Emmerseel) and song accompaniment (among others under Jozef de Beenhouwer, Rudolf Janssen and Hartmut Höll).

Willi Kastenholz, born in Cologne in 1949, has graduated from the Cologne College of Music with degrees in school music (Hermann Schröder), solo piano (Alfons Kontarsky) and vocal accompaniment (Wilhelm Hecker) as well as from the University of Cologne with a degree in German studies.

Pianoforte instruments may thus be used for entirely different purposes, for example for song accompaniment, for chamber music or else as a solo instrument, while on the other hand emphasizing or possibly diminishing the pianoforte instrument, which may also vary greatly at specific tones, is highly desirable in specific orchestra situations.

He has given numerous master-classes in piano, chamber music, lied accompaniment, fortepiano and historical performance practice in Europe and the USA, and is a jury member at international music competitions.

Since 2013 Huber has been Professor of Vocal Accompaniment at the University of Music WÃ1?4rzburg.

After this came studies in song accompaniment with Prof. Jürgen Glauß at the Cologne Hochschule für Musik followed by a performance degree in Song Duo in the master class of Prof. Irwin Gage in Saarbrücken.

While in Vienna, she also studied lieder accompaniment under David Lutz and attended master courses given by Boris Bloch and Helmut Deutsch.

He continued his training in song accompaniment under the tuition of Irwin Cage, Hans Adolfsen and Daniel Fueter and in new music with the composer Felix Baumann.

His early interest in chamber music and accompaniment led to his participating in numerous school concerts and operas.

After her first diploma examination she studied in addition piano chamber music, song accompainment and correpetition with Prof. Till Alexander Körber at the Bruckner University in Linz.

The economical song accompaniment is pleasant that limits itself in the essential part and is far from any sweetness that we know from such dubious programmes.