Translation of "Kriegsberichterstattung" in English

Knightley's main professional interests were war reporting, propaganda, and espionage.

That concludes the war news from the Western Front.

His main areas of research are comparative media research, journalism studies and war coverage.

As well in communication and media studies, propaganda and war reportage are of enduring interest.

The war coverage is under the military command of the belligerent powers.

He will discuss the effects of investigative war reporting on political powers.

The concept of peace journalism is, therefore, seen as an alternative model to traditional ways of war reporting.

This is the tragedy of a war, of all wars, and the tragedy of war reporting.

War reporting always runs the risk of being misused for fueling the conflict.

So when people ask me how I continue to cover war, and why I continue to do it, this is why.

To those who are so "enlightened", but actually rather hardened to criticism, each war reporting must appear as propaganda as long as it is not based on a pacifist attitude.

Several of the articles, reportages and video documentaries on OBC website won national and international prizes OBC also won the "Antonio Russo" Journalism Prize on War Reporting in 2010, Internet section.

It was a work of "war reporting which toed the party line", it had an introduction by Grand Admiral Erich Raeder and was recommended by the OKW in the Books of the Armed Forces.

We worked as a team for the network news covering wars from El Salvador to Desert Storm to the killing fields of Bosnia.

In 1912-1913, two Balkan Wars were fought that set the stage for World War I. In his war correspondence, Leon Trotsky wrote in March 1913: “On the eve of the Balkan War, when all the bourgeois parties in the Balkans were seized with a fit of warlike excitement, the young Social Democratic movement courageously lifted its voice in warning and protest” (Leon Trotsky, The Balkan Wars, 1912-1913).

Building on findings from social psychology (group processes, social influence, conflict research, attitude change), propaganda, and enemy concept research and on models of conflict management and the constructive transformation of conflicts, an investigation is made of the factors that determine the escalation oriented bias of conventional war reporting, and of how this can be transformed into de-escalation and/or peace oriented conflict reporting.

Aesthetics and history are merged in a way that reveals a dichotomy between visual manipulation in mass media (war reporting) and the actual events and experiences of local citizens.

It is, therefore, about making it possible to distinguish between real information and propagandistic disinformation, be it in the example of war reporting, as in this film, or generally in everyday media coverage.

With a degree in contemporary history, his work consists of analysing historical strategy as well as writing war correspondence for Il Foglio, Il Sole 24 Ore, Libero, Panorama, Gente, Radio Rai and Radio Capital.

Although peace journalism will occupy a minority position in the foreseeable future in conflict and crisis communication, even from this position it can contribute to making media discourse on conflicts more transparent and balanced and protecting conflict coverage from the fateful propaganda traps into which traditional war reporting is continually falling.

Metaphors from football and war reporting have become popular in Hungarian public debate since Orbán came to power in 2010.

Oriana Fallaci was an Italian journalist and writer who gained worldwide recognition through her war reporting and interviews with world leaders in the 60s, 70s and 80s, including Palestinian leader Yasser Arafat and Iranian Shah Mohammad Reza Pahlavi.

The last film he presented in the Forum was in 1995: Veillées d'armes (The Trouble We've Seen), in which he criticizes the coverage of war in the media.

The "Coverage of News Coverage" of the Third Gulf War was the subject of an empirical research project. A critical observation of war coverage was reconstructed through quantitative and qualitative analyses of the media.

This does not only count for war reports, but also for reports about prostitution - and the criminal journalist and the criminal newspaper or radio or TV is NEVER punished for his lies.

While the study of war reporting and propaganda can look back on a long tradition of social scientific research, few studies have focused on the media reportage of post-war and peace processes.

Every new war stimulates a mass of social-scientific studies; some serve the optimization of propaganda; increasingly, however, there are also studies that investigate the unholy alliance of military and media and/or expose the actual lack of differences between war reportage and propaganda.