Translation of "Johannespassion" in English

Today it’s time for St. John Passion, directed by Peter Sellars.

It was Good Friday 1724 when the St John Passion first rang out.

In 1943, Haefliger sang for the first time the Evangelist in Bach's "St John Passion" in Zurich.

Her contribution was the Johannes-Passion.

As a sought after Bach singer, he was also invited by the Bach Choir Gütersloh to participate in the St. John Passion.

Among them are documents evidencing his most important works, such as the St. John Passion or the history of resurrection.

The third concert is a semi-dramatic production of J. S. Bach’s “St John’s Passion” using Baroque instruments.

His best-known work as a hymn-writer is "Herzlich lieb hab ich dich, o Herr" (What hearty love I have for you, oh Lord, EG 397), which has been set by several composers, including Heinrich Schütz (in his "Geistlichen Chormusik"), Dietrich Buxtehude (cantata, BuxWV 41) and Johann Sebastian Bach (at the close of the St John Passion).

Markus Ulbrich placed a heavy emphasis on the works of Heinrich Schütz, with performances of "The Seven Words of Jesus Christ on the Cross" (1791), "St. John Passion" (1972), and "History of the Resurrection" (1974).

In 2003, the KKB took part in the first "Venezia in Musica" international choir festival in Venice and Jesolo and Performed Bach's Johannes Passion for Easter, 2004.

In 2006, von Otter sang the Evangelist in the premiere of Sven-David Sandström's "Ordet – en passion", on 24 March in Stockholm.

At the time of his death, he had already scanned and restored all his 1960s works plus some of his later works like Der Auftrag der uns bleibt (1984) and Johannespassion (1991).

From 2006 to 2012, the ensemble has largely concentrated on Bach, especially his cantatas with the goal of recording a complete liturgical year, but also his St John Passion, St Matthew Passion and Mass in B minor.

While the great oratorios of Bach were performed by more than 40 singers, only three voices per part sang the six-part St John Passion by Johann Christoph Demantius in 1981.

His best-known work as a hymn-writer is "Herzlich lieb hab ich dich, o Herr" (What hearty love I have for you, oh Lord, EG 397), which has been set by several composers, including Heinrich Schütz (in his Geistlichen Chormusik), Dietrich Buxtehude (cantata, BuxWV 41) and Johann Sebastian Bach (at the close of the St John Passion).

Highlights of the Festival include guest performances by the Tehran Symphony Orchestra - with works by Persian composers, but also by Beethoven, Tchaikovsky and Frank Zappa – and by the Osnabrück Symphony Orchestra in Tehran, as well as a performance of Bach's St John Passion in Tehran by the Osnabrück Youth Choir.

While Brassinne is still collecting evidence and interviewing witnesses, the “facts” already start working against him. Springing from this tension between stringency of narrative and contingency of events is a polyphony mirrored by the film through the formal juxtaposition of uncommented conversations, scrolling text with historical master narrative, and a commentatorial musical soundtrack which includes vocal passages from Bach’s “St John Passion”.

I would also recommend the performance of Bach’s Johannespassion which follows on from the success of the Matthäuspassion – a milestone in the career of Sir Simon Rattle.

Some of Bach's major works were also premiered here, including the St. John Passion (1724) and the Christmas Oratorio (1734/35).

One of the most famous of these compositions is by the most famous German baroque composer Johann Sebastian Bach: the St. John Passion.

I found the performance of the St. John Passion in Berlin Cathedral under the direction of Tobias Brommann in December 2015 to be especially impressive and unforgettable.

Grischkat was in 1926 the first in Württemberg to perform Bach's St John Passion without cuts, and with period instruments.

Since 1986, Equiluz also prospers as a conductor, directing Handel's Radamisto and Xerxes as well as Bach's Johannespassion, Cantatas, Magnificat and Pergolesi's Stabat Mater in countries such as Austria, Holland, England, and Japan.

Other highlights of the season are the Christmas Oratorio by Bach and St. John’s Passion by the same composer, both in the Munich Herkulessaal.

We follow him from the sunrise into the night, from towering summits to the desperately begging choral, from the illusion of a happy liaison back to the mourning of a lonesome human being – always by means of a plastic phrasing and in search of descriptive timbres, which sometimes come surprisingly close to Gustav Mahler’s music, but also conjure up St John Passion, not only in the last movement.

There have been many & xnbsp;dull or monotone performances & xnbsp;of this part (Jesus in Bach: Johannespassion).

The composer Hans Schanderl seems to feel attracted to romantic sound ideals, he wove in his work in a fascinating way harmony and rhythm from St. Johns Passion of Bach.