Translation of "Erzählerstimme" in English

There is also no narrative voice that is telling of an event.

So as a last resort I wrote the present voice-over.

Orson Welles was the voice-over narrator of the film The Man Who Could See Tomorrow. A documentary about...

Then, the narrative voice of this tale becomes increasingly more discredited by its unmotivated outbursts and derogatory language.

At first, I recorded a voice-over in which I read out these stories.

When he returns to Jules with this revelation, Harold inadvertently identifies the voice in his head from a television interview as author Karen Eiffel.

The narration, unmistakably written and spoken by Cave himself, explains his world view, his life and above all his philosophy when it comes to song writing.

The reprocessed video restructures the primary components, eliminates the voice of the narrator, and reorders the chronology of the film to break the continuous realistic world of documentary and alluding to the standardized and meaningless language that talks through people.

The voices of the narrators in the film summarise the views of the team of experts as follows: "Time has come for the experts and their Power Point presentations, for meetings and scientific debates.

Without the distraction of the narrator’s voice, the dynamic cuts create powerful moments marked by the aesthetics and the velocity of numerous local animal species, such as the golden eagle and the bearded vulture which are living in the national park.

In fact, except for one shot, the film consists entirely of stills, with the narrator heard as a voiceover.

The woman is ZoŽ, the heroine of Dreamfall, who is also the owner of the narrator's voice – and she is in a coma.

The sound track, the narrator's voice whispering in Spanish and English, tells of the artist's personal perspective, her own experience with a river she has known since childhood, as her family lived by its edge.

The narrative voice of Katherine and her omnipresence in the varying source materials are centrally characteristic to the piece.

Introduced by a touching narrative of a near-death experience (taken from an actual documentary interview), the gripping ballad kept building up towards an emotionally charged climax in the form of another fabulous duetto by Lee and Vinnie before slowing down to a reprise of the narration - "I was peace, I was love, I was the brightness, it was a part of me".

The voiceover, however, insists that we grasp the most everyday activities (such as painting bricks, oar competitions, standing around on the jetty) as mythical events and Herr Enkert as Enkidu.

The screen is black, we only hear a narrator’s voice, but soon a light spot appears, on which the eye focuses immediately for orientation.

Linger in an area long enough and the boy's voiceover (as an adult) offers clues to what you should do next.

The only thing filled with life is a young girl's own cosmos, created out of friendship and the bright colours of a child's imagination, but the young protagonist loses all of this after her emigration to the United States. Speechless homesickness and alienation become parts of her new identity, in some passages commented by an almost lyrical, internal narrative voice.

By watching the band members interact, filmmaker Manuel Gehrke develops his very own point of view: Alongside scenes with dialogue, his creative documentary lives of moody images (many of which were shot in black and white), of sounds and noise, as much as of singer Hendrik Otremba's narrating voice.