Translation of "Eingangsfassade" in English

The entrance front had nine bays and a portico.

The result was a working model of the entrance facade.

As part of the renovation, Terrena Architects designed a wavy, natural stone entrance facade.

Equally impressive is the completely glazed entrance façade, which extends over three floors.

Behind the Baroque facade, a late Romanesque cloister from the 13th century awaits visitors. Adress: Karmelitenplatz 1

The billboard of the Cuban-American artist Felipe Dulzaides over the entrance of the museum illustrates this perfectly.

Behind the entrance façade, the museum building is organized in various functional areas such as exhibition area, conference center and children’s museum.

Above this is the double-height "piano nobile", where five huge arched windows incongruously dominate the facade over the front door; above this sit a further two floors housing gentlefolk with servants above them, the numerous windows divided on the exterior by rusticated pilasters in dressed stone.

In the late 18th century, under the ownership of James Townsend, the narrow east facade of the house was remodelled into an entrance front, and given the appearance of a typical Georgian house.

In 1992, they were recreated and designed by Hans Geiger: four adorn the entrance facade, twelve the garden side of the Amalienburg.

In the late 18th century, under the ownership of James Townsend, the narrow east facade of the house was remodelled into an entrance front, and given the appearance of a typical Georgian house.

On the entrance front, a huge portico was added in the centre, and a smaller 'half portico' was added to the other side.

Another extension was added in 1842, in the form of a 110-foot (34 m) long classical-style colonnaded entrance screen on Upper Grosvenor Street.

The entrance front faces west and consists of two three-storey wings in three bays with a single-storey three-bay loggia between them.

The design was symmetrical; the entrance front facing west and consisting of two castellated blocks, between which was a single-storey loggia.

Also being presented on the Münsterplatz, directly in front of the entrance façade of the Basel Münster, within the context of the Art Parcours is a labyrinth by the American artist Sam Durant.

Additionally, Blocher Blocher Partners also planned the different departments of the 26,000 square metre store and developed the circulation concept as well as the new entrance facade.

The principal materials used were exposed reinforced concrete for the walls and oak wood for the ornamentation of the entrance facade and the interior of the prayer space.

Situated at the corner of two streets, in a difficult context, the building binds to the space of the street by a broad frontage of entry laid out in withdrawal.

The western, entrance wall of the palace, with its arcade and arches, with its beautifully carved capitals, exceptionally decorative portal and other details appears lavish.

The five terracotta busts in the entrance facade – Socrates, Jesus, Thomas Paine, Voltaire and Robert Owen – represent almost chronologically an informative genealogy of godlessness.

From there, natural gneis stone paving takes you to the villa, the entrance facade of which is edged by an inviting border of Iris germanica.

The entrance façade is unremarkable, but the interior is elegantly furnished and gives you a rare opportunity of seeing inside a palazzo preserved more or less as it was in the 18th century.

If the structure runs parallel to the entrance facade a view of the luminaires can be almost completely concealed when the shop is entered, if the spotlights do not protrude from the baffles.

On the entry façade you can spot some very peculiar elements, such as the elegant portal in sandstone and red marble where the Colleoni emblems are.

The building housing a lobby in its longest wing and an auditorium 300 placed in the other, allows on the one hand to redefine the boundaries of the courtyard and on the other hand to bring to the Faculty, an iconic entrance facade, positioned between two tertiary buildings in red brick, and materialized by a triangular geometric hollow form, acting as a protective preface.

In the framework of the Secession's façade project Heimo Zobernig has been invited to produce a work commenting on the political situation in Austria which will now be presented on the front facade of the building for a week.