Translation of "Bogenbau" in English

I've been building bows for over 25 years now.

For many years we have been using this epoxy resin daily to make our bows.

More power and higher accuracy are important basics in bow making.

This is the basic material of the modern bow making that makes the bows flexible.

Mycarta is a high-strength material which finds its use in our bow making.

This course is for those who already has a little bow building experience.

This is the second of three volumes of the famous American standard works on the subject of traditional bows.

Bearpaw Mycarta with brown hue and linen as the base material is a high strength material for bow making.

Description Mycarta is a high-strength material which finds its use in our bow making.

This is the first of three volumes of the famous American standard works on the subject of traditional bows.

Our bows are uniqe items, perfectly apt on musician and instrument.

What makes this fiberglass great for bow building is that it is continuous unidirectional laminate, making it have high strength and stiffness on the full length of each strip.

Born in Paris on 20 May 1947, J.F. Raffin began his career during a period in which French violin and bow making was undergoing profound changes.

Afterwards he worked for Alfred Vidoudez in Geneva for over 20 years until he was called to Mirecourt in 1971 as a professor of bow making.

Any time spent by all family members in learning the family brought a lot of bow-making skills and experience, through which the company produces very good quality, which attracts the interest of customers.

James Tubbs was born in London on 25 March 1835, the eldest of eleven children in a poor family that had eked out a meagre living for two generations with its bow making.

This simple Prosper Colas bow embodies all of the good playing attributes that bows from France are famous for.

After the turn of the century, his staff of up to 17 employees produced an estimated 2,000 bows or more per year, and he ran a very successful business selling materials and prefabricated parts for bow making.

Millant invented his own bow design by studying a collection of antique bows that was in his family's possession. His model was an interesting and ingenious synthesis of elements from the Peccatte school, which influenced the style of the head, and from the English bow-making tradition, particularly the frog with its Hill-style underslide.

Manau is an excellent material to work on and offers especially beginners a cheap possibility to try themselves at bow-making.

We are always on the search for "special" timbers, which are for the use of making bows naturally only available in small amounts, like for example rowan berry, birch, sloe/blackthorn..., so it's profitable to ask from time to time separately for these special woods.

This particular bow, which features Otto A. Hoyer's original stamp, is also an interesting example of the influence that modern French bow-making had upon the craft in Saxony during the era following Sartory.