Translation of "Altstimme" in English

There are a lot here,' she cried in her delightful mellow voice.

You know, if you need a replacement, I've been told that I have a dusky alto.

And our new novice, Sister Martha, has a most divine contralto voice.

The same applies to the alto voice, which can be replaced by a bass.

Schirin Partowi presented us with a genuine, deep and open contralto voice.

Kismara Pessatti (born June 3, 1974 in Curitiba, Brazil) is a Brazilian operatic contralto.

Quite good - a beautiful contralto.

We paid extra for the sax 'cause I just love that smooth alto sound.

Mozart played the piano for his subsequent patron, and sang in his wonderful countertenor voice.

Suddenly, from the skirts of the wood not far off, he heard Varenka's contralto voice calling to Grisha, and a smile of pleasure lit up his face.

This is a great Erda, a true contralto Mother Earth who inspires terror and commands with authority.

The three later cantatas, written within a few months, employ the organ as an obbligato instrument, possibly because Bach liked the combination of alto voice and organ registrations.

Only the chorale is set for four parts; the alto voice sings of man's sin, the soprano of God's grace, and the bass is God's voice in the opening movement.

In the chorale, the woodwinds play the cantus firmus in unison with the alto voice, while the strings play independent figuration in F major, illustrating hope, although the text says that hope is not yet in sight.

Hans Werner Henze composed for her the revision of Richard Wagner's Wesendonck Lieder for alto and chamber orchestra, and she performed the premiere under his direction at the Westdeutscher Rundfunk in 1977.

Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra.

Bach had already composed his first solo cantata on a text by Lehms, Widerstehe doch der Sünde, BWV 54, composed during his tenure in Weimar, also for an alto soloist.

The alto part is demanding and was probably written with a specific singer in mind, as with the two other solo cantatas composed in the same period.

After his voice had broken, he noticed that he had kept his alto voice in the falsetto register and began to develop it.

On The Expense Of Spirit, Tuomi again flaunts its total fearlessness of heights in a high-wire act between congenial lyric set to music, jazzy pop (self-penned) and what the Portuguese and Brazilians call „Saudade“: Kristiina Tuomi’s natural alto confidently and competently enters a dialogue with Carsten Daerr’s lucid piano playing and Carlos Bica’s singing contrabass, creating songs full of transparancy and lyrical sophistication that challenge, seduce and fascinate the listener.

She was renowned for her contralto vocals Respected for her versatility, she received a Juvenile Academy Award and won a Golden Globe Award as well as a Special Tony Award.

Alto voice, piano and contrabass - Kristiina Tuomi, Carsten Daerr and Carlos Bica once again prove to be masters of a still unmapped genre with their congenial interpretation of classical lyric with original lyrics.

The player will recognize immediately why Quantz compared the sound of a flute to an alto voice rather than to a soprano.

In the two song cycles Drei Liebeslieder (1960) and Fünf Lieder (1992-2006) for contralto voice and orchestra, he concentrated on poems by Georg Trakl.

The two outstanding events at that festival were André Hodeir's "Anna Livia Plurabelle" for soprano and alto voice, jazz band and chamber orchestra (which is probably one of the most thrilling, mature and – alas – underestimated Third Stream compositions) and the re-discovery of Bob Graettinger, composer and arranger for Stan Kenton.

The octave transposition for the alto voice is provided as an alternative, but Martin preferred the original baritone range.