Übersetzung für "Spatialisation" in Deutsch

This highly complex spatialisation takes several hours to generate on a typical PC.

But this spatialisation of time is only the inversion of the temporalisation of space.

Spatialisation is a key dimension of social behaviour because spaces are created by humans.

And if the anagrammatic typeface "not only binds the parts of speech into linearity any more, but lets them radiate to all sides and strike up relationships with each other which could break through the logic of sentence structure"[27], then the anagrammatical calls the visual peculiarity of writing to the fore, lets their rhizomatic conjunctions, their deconstructive "spatialisation" have a word.

There is an interesting time ahead in the summer term in the major Music informatics: including a visit from Mexican and Australian artists with live coding concerts and a workshop, two projects on algorithmic spatialisation, work on the sonification of radio waves and all kinds of neuronal networks, new interfaces for live electronics and a full-fledged analogue modular synthesiser.

However, the spatialisation of a film for the exhibition situation is usually achieved by having multiple projections, in which a splitting up of the perspectives occurs.

The spatialisation contained within this is initially virtual in the sense of the "cloud", but it can be achieved in an exhibition space as well, so that movements from one perspective to another are also possible physically.

It's a free set of flexible Max for Live devices for binaural spatialisation in Ableton Live.

Additionally, the workshop lectures will introduce the students into the topic of spatialisation, the history, the psychoacoustic context and into the compositional use of space.

The black-and-white objects, equipped with kinetic effects, also have their own sound score and create a spatialisation of the musical composition through their movement.

The curatorial projects "City without Centre" and "Stalking Utopia" go back to her interest in the spatialisation of discourse.

This is a fully digital, multi-dimensional instrument for the virtuoso spatialisation of sound sources that coordinates complex electronic sequences during the performance.

For the work Spazio Jens Blauert by Florian Hecker at Rovereto, de Campo realised the spatialisation of Hecker's composition and the spatial/temporal filtering of the live sound layers.

We experiment with the spatialisation and spatial movement of sounds, the perception of sounds and how they change in our awareness.

And if the anagrammatic typeface “not only binds the parts of speech into linearity any more, but lets them radiate to all sides and strike up relationships with each other which could break through the logic of sentence structure”[27], then the anagrammatical calls the visual peculiarity of writing to the fore, lets their rhizomatic conjunctions, their deconstructive “spatialisation” have a word.

His list of works encompasses compositions with and without live electronics for soloists, ensembles and orchestra, as well as electroacoustic and acusmatic music and its diffusion and spatialisation.

Thinkers have therefore claimed that film editing not only created the "dynamisation of space" and "spatialisation of time" (Erwin Panofsky, 1936) but moreover a completely new type of perception defined by "simultaneity" and "universalism" (Arnold Hauser, 1953), characteristics indeed constitutive of the contemporary conception of life.

Current ICTS projects focus on digital sound production, generative art, haptic interaction, augmented instruments, musical gesture, sonification, notation, descriptions of spatialisation, three-dimensional recording and reproduction technology, and the performance of electroacoustic music.

Here I illustrate the power of a mapping strategy by focusing on its utility in comprehending Internet infrastructure, although mapping and spatialisation can be used to develop an understanding of many different aspects of cyberspace including the structure of the Web and online social interactions.

As part of a joint event, different projects constructed an answer to these questions, each in their own way: whether it be like Kitaro Beeh's techno project Paraphren, the conflict between two co-existing elements, or like Hendrik Plünneke's hyperpolyphonic algorithmic spatialisation, the relationship between a microphoned room and a room filled with sound.