Übersetzung für "Weltflucht" in Englisch

Neither patriotism, as escapism, or the global love for the homeland of contempt are good.

The sixth part (Des Helden Weltflucht und Vollendung) serves as the epilogue.

Mountains offer at once an escape and escapism.

And his son, named Kalara janaka, also renounced the world, and brought his line to an end.

Framing thus means fleeing the world.

A film about urban escapism by first-time directors and brothers Yoav and Doron Paz.

François's practice balances itself in between depicting situations of collaboration and individual escapism.

The movements are titled as follows (later editions of the score may not show these titles, owing to the composer's request that they be removed):# "Der Held" (The Hero)# "Des Helden Widersacher" (The Hero's Adversaries)# "Des Helden Gefährtin" (The Hero's Companion)# "Des Helden Walstatt" (The Hero at Battle)# "Des Helden Friedenswerke" (The Hero's Works of Peace)# "Des Helden Weltflucht und Vollendung" (The Hero's Retirement from this World and Consummation)"Ein Heldenleben" employs the technique of leitmotifs that Richard Wagner used, but almost always as elements of its enlarged sonata-rondo symphonic structure.

This "intensification" certainly did and does not mean, neither in Metzger's context of the Art Strike nor in the institutional practice of intensifying theory production that is to be discussed here, a praise of pure contemplation, but rather a condensation, not an invocation to flee from the world, but rather to change the world, not to cease all production, but rather to create worlds.

Next day the king and his chaplain thought, "And so Prince Hatthip?la has really renounced his claim on the kingdom, and is sitting on the Ganges bank, whither he went to follow the religious life, and took a great multitude with him.

Not as a way of escaping the real world but in order to extend the repertoire of contemporary architecture and to create a clear contrast to the sometimes very arbitrary zeitgeist.

It is certainly not an escape from the world but "instead, it gives purpose to our lives in this world", and it helps us to build a more just society which excludes no one and which protects creation.

In an age of uncertainty, political instability and environmental problems, play is just the thing to satisfy the need for optimism, escapism and creativity.

The spectrum stretches from conservative regression and romantic escapism to the conception of utopian alternative worlds and a self-mocking approach.

These four stanzas the Great Being addressed to his father: and then he turned to his mother, asking her permission to leave the world with these words:

For the solution of this apparent contrast of world escape and world affirmation, these lines begin not - as one would expect it with a Jesuit's obituary - with his entrance into the noviciate (on 10 October 1894 to Blijenbeek in Dutch Limburg), although he found there in his famous fellow-countryman, Father Moritz Meschler (who was Magister Noviciorum then) a 'piece' of his native country, but with a view into this his homeland, where he was born on 13 September 1870.

Originally, it was a kind of flight from the world, an escape from the decadence of the cities.

The Queen of Cups can be problematic if naivity, blind belief in the Good, escapism and emotional dependence are added to the above characteristics.

They consider the fleeting forms less valuable than their essential being, their "essence", their "ideal concept" -- and that not only holds true for this ancient Greek concept; rather, we encounter it also in Taoism or Buddhism, in which the actually existing of the here and now are so devalued as mere illusion, that Buddhism only values highly the act of fleeing from this world into Nirvana.

But whatever the solution, it seems to me that the Vedantin is right in insisting that one must, to arrive at it, admit the two facts, the prevalence of evil and suffering here and the experience of that which is free from these things – and it is only by the progressive experience that one can get a solution – whether through reconciliation, a conquering descent or an escape.

This “intensification certainly did and does not mean, neither in Metzger’s context of the Art Strike nor in the institutional practice of intensifying theory production that is to be discussed here, a praise of pure contemplation, but rather a condensation, not an invocation to flee from the world, but rather to change the world, not to cease all production, but rather to create worlds.

At this time the Bodhisatta was following the ascetic life and was living in a hermitage on a spot lying between the two kingdoms.

But it is conceivable that this basic instinct can easily mislead the philosopher into considering the flight from the world as such to be valuable.

Instead of promising escape, The Drawing Table (2017) shown in Athens, the artist's recent revisiting and reinterpretation of her earlier work, meditates on the overlapping and contingent nature of the world.