Übersetzung für "Titelgebend" in Englisch

The inspiration for the exhibition's title are two small paintings with identical motives.

The title for Krautgasser's exhibition is taken from Martin Donovan's cry I can't stand the quiet!

Most episodes of the series are titled for the theme of the Rex Reilly Show episode depicted in the script.

The show presents the latest, landscape-format paintings by the artist alongside artful Asian swords from his own collection. The latter also gave the exhibition its title.

Paul is played by Marco Gallo, the friend of Rainer Oldendorf (born in 1961) since his teenage years spent in Lörrach, southwest Germany, and whose first name gave the film its title.

The title of the award-winning photo series by young photographer Maziar Moradi refers to a fateful year for his homeland of Iran – 1979.

The title comes from a comic strip about women in the shadows of their famous husbands, including the physicist Mileva Mari?, Einstein's wife, as well as Priscilla Presley.

I was fascinated by what happens when you begin to separate the advertising slogans found in the financial world from their original context, especially those of banks that have long disappeared in the wake of the financial crisis (such as the US bank Lehman Brothers, whose slogan "Where vision gets built" has been used as the title of the project).

The title of the collection display is borrowed from Richard Serra?s wall drawing Spot On (1996), which forms a black ellipse on a white wall like the negative version of a spotlight.

The poem “Le ceneri di Gramsci” gave the title to Pasolini’s first volume of lyric poetry in 1957, with which he won the Viareggio Prize.

For indeed even a cursory glance at the #MeToo-related hashtag #NotSurprised, whose name comes from Jenny Holzer's work "Abuse of Power Comes As No Surprise," from the "Truisms" series, suggests that the sexualized abuse of power in the realm of art may well be especially pronounced.

The title is a quote from the artist himself, who once described his work, as also his life, as informed by just a few key strategies and structures: combination, metamorphosis and experiment.

The year 1979, the year of Ayatollah Khomeini’s coming to power, implied deep incisions for many Iranians and is eponymous for Maziar Moradi’s work, which documents the impressions, fears and experiences of his family at the time of the Islamic revolution and the Iran-Iraq-war.

Ute Mahler’s humanistically shaped photographic suite «Zusammenleben» (1974-1984) lends the exhibition its name and also serves as thematic link.

The exhibition is named for Thomas Hirschhorn’s «Intensif-Station» (Intensive Care), consisting of five large objects and taking as its theme the intensity of the experience of art.

483 hours were necessary to plan and build the cube, which – according to the artist’s concept – became eponymous with the work and reflects the time of its production process.

Allan Sekula wrote about his film: "'The Lottery of the Sea takes' its title from Adam Smith, who, in his famous The Wealth of Nations (1776) compared the life of the seafarer to gambling.

The title of the project derives from a film installation produced in 1967 that Broodthaers named after La Fontaine's fable of the same title. Broodthaers's films break with many norms of the medium and of cinema as an institution.

"Diary of a Day-fly", the 35 – minute – long work composed by Martin Ohrwalder for big band, narrator and electronics, represents the Jazz Orchester Tirol ?s main-part of the 2007 – live-programme and its new CD ?s title. Martin Ohrwalder's composition is based upon a Japanese text from the 9th century.

His articles have been published in numerous magazines and daily newspapers, including The Village Voice, New York Times, Washington Post, Art Forum and Rolling Stone. The obituary written by Greg Tate, "Nobody Loves a Genius Child: Jean-Michel Basquiat, Flyboy in the Buttermilk," now numbers among the key texts on Jean-Michel Basquiat and among other things provided the title for his essay collections on contemporary African-American culture, "Flyboy in the Buttermilk" and "Flyboy 2 – The Greg Tate Reader."

One such phenomenon gives the title to Hejna (Swarms) for clarinet, accordion, piano, harp and percussion (2010): the music pulsates like energy flows in moving groups, in swarms of birds or fish.