Übersetzung für "Sendesaal" in Englisch

Concerts are also held in the small broadcast studio with seats for 150.

The Kleine Sendesaal is also available, with a capacity of 150 for public concerts.

The host venue was the Großer Sendesaal des hessischen Rundfunks, a building, music hall and former television studio based in Frankfurt am Main.

The final draw took place on 5 January 1974 in Sendesaal des Hessischen Rundfunks in Frankfurt.

The popular music show German: Wunschkonzert für die Wehrmacht (Request Concert for the Wehrmacht) was broadcast on the German radio network every Sunday afternoon at 3.00 from the Great Broadcasting Room of the Haus des Rundfunks on Masurenallee in Berlin.

Andrés Orozco-Estrada conducted his first concert with the Tonkunstler on 8 May 2003 in the main hall at the Radiokulturhaus in Vienna.

These historic recordings are living documents of the very first concerts of extra-European music, organised by the WDR (West German Radio and Television Network), in 1970 and recorded in top audio quality in the network’s large concert studio.

In the small broadcasting hall of the Rundfunkhaus on Masurenallee, the four guests emphasized that the Excellence competition also benefits the whole of Berlin as a hub of science and research.

She has performed at the Tonhalle Düsseldorf, Kölner Philharmonie, Philharmonie Essen, Alte Oper Frankfurt, Stadthalle Wuppertal, Gewandhaus Leipzig, Erholungshaus Leverkusen, Sendesaal Bremen or at the Mozarteum Salzburg as well as at festivals such as Braunschweig Classix Festival and "Winter auf Mallorca".

The event takes place on December 1st at 6.30pm in the Main Hall of the ORF Radio Cultural Hall, Argentinierstrasse 30a, Vienna.

This CD was recorded in the Sendesaal Bremen and I thank the wonderful recording team Philipp Nedel, Michael Brammann, Gerd Finkenstein and Ryusuke Kozawa!

Nuron Mukumi appears as a soloist in venues including the Mariinsky Theater St. Petersburg, Alte Oper Frankfurt, Salle Cortot in Paris, Großer Sendesaal des Hessischen Rundfunks, Martinskirche Basel, and Weilburger and Bad Homburger Schlosskonzerte.

Sony Classical has marshalled its formidable resources: one of the best orchestras in Germany, the Rundfunk-Sinfonieorchester Berlin; and one of the young wolves of orchestral conducting from Asia (but already well-known in Europe - witness his many collaborations with the Orchestre de la Suisse Romande for Pentatone) join them twice, once in August, then in October 2016, in the Radio Berlin Großer Sendesaal, for sessions which must have been a childhood dream come true for the young Frenchman.

For me it was for me a piece of “homeland work” bring the 1958 in Bremen at the NWDR developed Amp back to life - the Sendesaal at that time was part of the NWDR.

The Philharmoniker and the conductor performed in a range of very different locations in Berlin: the Titania-Palast in Steglitz, the Hockey Club in Dahlem, the city’s opera house and the broadcasting hall in the Haus des Rundfunks, where they gave concerts for the Allied troops and local audiences. They also toured together.

The Sendesaal-Bremen is legendary and belongs among the best studios i've seen/heard.

On 30 April 2012, in the large and small broadcasting halls of the Westdeutscher Rundfunk Cologne, five concerts of contemporary music were recorded by IMM students as part of theAcht Brücken Festival[Eight Bridges Festival].

Jan Müller-Wieland's composition "Eidola" for piano, two washboards and tape received its world premiere on 29 April 2002 in the Broadcasting Hall of Bavarian Radio in Munich, performed by the pianist Siegfried Mauser.

Joachim Draheim however, well-known Schumann expert and author of this matinee in the broadcast hall of the Sueddeutscher Rundfunk, studio Karlsruhe, went a step further - he illuminated the professional friendship, however one-sided it may have been, between Schumann and Frédéric Chopin.

The HR shall examine whether it can make its own premises (e.g. the large studio at the broadcasting centre in Dornbusch) available for appropriate events organized by the HFF-hr.

The very first time that Omar Sosa ventured a solo concert as the venue to experiment with samples and loops was in 2003 at the Sendesaal auditorium in Bremen, Germany.

One year before his studies began Lux’s own composition (“Film Colours”) for symphonic wind and brass orchestra and piano was performed in the studio of the SFB in Berlin with Marian at the piano.

The concert took place in ORF's large broadcasting hall and was broadcast on 22 March in Ö1.