Übersetzung für "Malschicht" in Englisch

The uppermost paint layer 6 is applied preferably in the manner of abstract Expressionism.

Coherent fresco cycles date back to 800 with the older layers of paintings in Müstair.

When frost comes, the painting layer is damaged and the subsoil / coating ground loses it's cohesion.

Tiny droplets penetrate the paint layer and thus consolidate the minute loose particles.

X-radiography and infrared examinations provide insights into the production process, and the structure of the picture support and the paint layer.

In medieval book illumination, for example, different types of damage may impact the painting layer over the course of centuries.

The exhibition will show underdrawings concealed beneath the paint layer and visualized with the aid of infrared-reflectographic techniques, and illuminate not only the enormous wealth of painting materials and highly efficient artistic techniques but also the influence of commerce and economic conditions on the execution of the paintings.

Because of its nearly signature–freeperfection, which negates the painted layer as a surface, the spectator is required to determine the necessary distance to these paintings.

Then, the painting is exposed to a certain period of time to sun or moderate heat to allow Kerotix be soaked in the pores of the painting.

During glazing – a method frequently used by Klee – the colour zones to be painted are only covered with an additional film of colour after the previous lacquer layer has dried completely.

The purpose of these measures was to integrate the irregular and broken painted surface (figure 3) and bring it closer to its original appearance from 1912 — without masking the history and age of the work.

Glass constituents or constituents of the paint layer are leached; gaps are formed in the structure, the material becomes more porous and future hydrolytic decomposition accelerates.

The exposed under layer can be seen to have been already painted in red, green, or blue, as in the alternating sequence of other painted jewelry.

This in turns lead to variations in how the paint layers absorb the light, which is at times reflected back and in other passages penetrates the surface to make the colors glow from within.

Figure 2: An enlarged cross-section of the paint layer shows that the original version featured two coats of blue paint.

At the same time, the matte and uniform layer of paint absorbs the light, making the object appear massive and heavy – just like the individual elements of the work "76.1."

The paint layer is lifting off in several places, and has broken away entirely in a few places.

With each application of a layer of paint, done upon a white chalk ground, the light is reflected differently.

Actually, rather than paint Armleder used a lightly tinted varnish; in other words, a protective coat that, among other things, serves to create an artificial patina and usually covers the final, top layer of paint.

To consolidate the painting layer, stability tests are first carried out under the microscope, by minimally touching the paint flakes with a very fine paint brush.

They reveal influences from the area oftheLake Constance(Reichenau) and from Lombardia (younger layers of paintings in Müstair, the painted ceiling in Zillis, the statue of Charlemagne in Müstair, the glass painting in Pleif).

The role of white willow bark extract in cosmetics, soften skin cutin, help old cutin metabolism, make the mai ning pigment followed corneous layer peeling, s o to have dark spots of the whitening effect.

With Kuno Gonschior's «Kugel» (1971) the bond between the paint layer and the wooden support has weakened.

The surface had gathered dirt over the years but could not be cleaned with the usual aqueous solutions or solvents without damaging the paint.