Übersetzung für "Bildgrund" in Englisch

On a brownish ground a woman walks through the night, past a tree.

The thread floats directly above the picture and creates delicate shadow lines on the photographs.

Then the ground and motif become one, as in your new work Sticky.

In one series of works, she covers wooden frames with finely woven textiles or nets, which then provide a grid-like structure for the picture’s background.

Sophie Reinhold (*1981) is interested in the relationship between painting ground and color, pictorial object and space.

In both fields, there is the same technique, the ground is treated with graphite, and subsequently the artist rubs sections out with the eraser again, but not creating additively but composing annihilation as a production process.

Schäfer's actors do not only mask, they burst out of the background like figures from a mid-relief, they leave the reality of the event that had been filtered by chiefs of protocol, photographers, agencies and editors and deconstruct by the means of re-enactment the medial escalation of the situation that underlies these pictures, without exposing the visual dramatic of the picture.

Light hues, often subtle nuances of grey, predominate, blurring the artist's vividly colored ground.

When a paper collé, however only various types of paper, such as faux bois wallpaper (exposed wood grain wallpaper), newsprint, etc. glued to the screen surface.

The fact that Thitz uses bags as a surface for his pictures is no accident but an integral element of his concept.

As a result, the original carpet becomes the background, or rather the ground, of the picture, while the yellow network becomes the protagonist of an impressive room picture or of a floor sculpture, depending on angle of view.

The artist then spreads out an abundance of copies of historical sketches, groundplans, registers, letters, seals, documents, medallions, portraits, tools, machine parts, etc. from the archives of the city of Hilden over the prepared ground of the painting which fit into it, accentuate and overlap it.

The fragmentariness of the drawing, its potential to install cutout signs on the empty picture plane, is used by Heike Weber in White Out to the full - within the spatial disposition of the drawing.

The Braque (1881-1963) and Picasso (1881-1973) during the cubism art for art collected collage features in contrast to the papier collé by the inclusion of all foreign material from the everyday world, which is glued onto an image surface.

Only then does colour emerge in broad horizontal bands across his working surface and, in the case of the white glazed cardboard, lay bare any trace of pigment or drop of paint.

An example is the hemisphere in the painting Vega Pal (1969), which seems to arch out of the pictorial ground.

The structure of the wood that serves as a background for the picture leads to an unpredictability and randomness that seems to stand in contrast to the systematic composition of the picture.

At first glance, the picture “Mongole am dürren Baum” (“Mongol by a Scrawny Tree”, 2004) gets lost in the white picture ground.

The white color of the plaster façade is an appropriate background for the reduced graphic appearance of the band windows section within the "massive" volume.

The two cans, one on each table, float without any atmospheric embedding on the white primed surface.

The consequent reduction of pictorial means has the result that the strange creatures Zacharoffs emerge more dramatic from the image base.

From 1959 onwards Hains would collect poster fragments including their ground, be it wood or metal, and create a dialog between the pictorial ground and the paints applied to it.